#2 | American Nightmare: Essays on the Horror Film | 0 | 0 reads | |
#3 | | 0 | 0 reads | |
#4 | Better Living Through Criticism | 3.5 | 4 reads | |
#5 | | 0 | 0 reads | |
#6 | Alright, Alright, Alright | 4.33 | 4 reads | |
#7 | CinemaTexas Notes: The Early Days of Austin Film Culture | 0 | 0 reads | |
#8 | Notes on the Cinematographer - Robert Bresson
- Jonathan Griffin (Translator)
| 3.5 | 3 reads | |
#9 | Acting in Film: An Actor's Take on Movie Making | 0 | 0 reads | |
#10 | Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films | 0 | 0 reads | |
#11 | Show Trial: Hollywood, Huac, and the Birth of the Blacklist | 0 | 0 reads | |
#12 | Sexual Politics & Narrative Film | 0 | 0 reads | |
#13 | | 0 | 0 reads | |
#14 | This is How You Make a Movie | 0 | 0 reads | |
#15 | Just as I Am - Cicely Tyson
- Michelle Burford
| 3.67 | 4 reads | |
#16 | | 2 | 1 read | |
#17 | Studio Affairs: My Life as a Film Director | 3 | 1 read | |
#18 | | 2 | 2 reads | |
#19 | The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense | 3 | 1 read | |
#20 | The Golden West: Hollywood Stories | 0 | 0 reads | |
#21 | The Dark Side Of The Screen: Film Noir | 5 | 1 read | |
#22 | Raised by Wolves: The Turbulent Art and Times of Quentin Tarantino | 0 | 0 reads | |
#23 | | 3.8 | 7 reads | |
#24 | Underexposed!: The 50 Greatest Movies Never Made | 0 | 0 reads | |
#25 | Hollywood Babilonia - Kenneth Anger
- Ida Omboni (Translator)
| 3.45 | 12 reads | |
#26 | Chaplin and American Culture | 0 | 0 reads | |
#27 | | 3.5 | 3 reads | |
#28 | Fun City Cinema: New York City and the Movies that Made It | 3 | 1 read | |
#29 | | 0 | 0 reads | |
#30 | You've Got Red on You: How Shaun of the Dead Was Brought to Life | 4.5 | 2 reads | |
#31 | The Essential Directors: The Art and Impact of Cinema's Most Influential Filmmakers | 0 | 0 reads | |
#32 | Trejo: My Life of Crime, Redemption, and Hollywood | 4.5 | 13 reads | |
#33 | Searching for John Hughes | 0 | 0 reads | |
#34 | Run Towards the Danger: Confrontations with a Body of Memory | 4.44 | 10 reads | |
#35 | | 3.88 | 4 reads | |
#36 | Filmmakers on Film: How They Create, Craft and Communicate | 0 | 0 reads | |
#37 | Chasing the Light Chasing the Light: Writing, Directing, and Surviving Platoon, Midnight Express, Scarface, Salvador, and the Movie Game | 3.67 | 3 reads | |
#38 | How to Talk to a Movie: Movie-Watching as a Spiritual Exercise | 0 | 0 reads | |
#39 | | 4 | 4 reads | |
#40 | The Lubitsch touch: A critical study | 0 | 0 reads | |
#41 | | 0 | 0 reads | |
#42 | My Place in the Sun: Life in the Golden Age of Hollywood and Washington | 0 | 0 reads | |
#43 | | 4.05 | 11 reads | |
#44 | | 0 | 0 reads | |
#45 | | 0 | 0 reads | |
#46 | Cinema/Politics/Philosophy | 0 | 0 reads | |
#47 | | 0 | 0 reads | |
#48 | Everybody Thought We Were Crazy: Dennis Hopper, Brooke Hayward, and 1960s Los Angeles | 0 | 0 reads | |
#49 | | 0 | 0 reads | |
#50 | Psychoanalytic Film Theory and The Rules of the Game | 0 | 1 read | |
#51 | Inventing the It Girl: How Elinor Glyn Created the Modern Romance and Conquered Early Hollywood | 4 | 2 reads | |
#52 | | 0 | 0 reads | |
#53 | Lawrence Tierney: Hollywood's Real-Life Tough Guy | 0 | 0 reads | |
#54 | | 3.49 | 108 reads | |
#55 | Madly, Deeply: The Diaries of Alan Rickman | 3.46 | 18 reads | |
#56 | Hollywood: The Oral History - Jeanine Basinger
- Sam Wasson
| 0 | 0 reads | |
#57 | Pictures at a Revolution: Five Movies and the Birth of the New Hollywood | 4 | 12 reads | |
#58 | Scenes from My Life: A Memoir - Michael K. Williams
- Jon Sternfeld
| 5 | 2 reads | |
#59 | | 0 | 0 reads | |
#60 | | 0 | 0 reads | |
#61 | Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears | 3.8 | 7 reads | |
#63 | | 0 | 0 reads | |
#64 | | 0 | 0 reads | |
#65 | | 4 | 3 reads | |
#66 | The Conversations : Walter Murch and the Art of Editing Film | 4 | 3 reads | |
#67 | In Lonely Places: Film Noir Beyond the City | 0 | 0 reads | |
#68 | Bill Duke: My 40-Year Career on Screen and behind the Camera | 0 | 0 reads | |
#69 | One Man Tango - Anthony Quinn
- Daniel Paisner
| 0 | 0 reads | |
#70 | The San Francisco of Alfred Hitchcock's Vertigo | 0 | 0 reads | |
#71 | The Last Action Heroes: The Triumphs, Flops, and Feuds of Hollywood's Kings of Carnage | 4.4 | 7 reads | |
#72 | Burn It Down: Power, Complicity, and a Call for Change in Hollywood | 4 | 4 reads | |
#73 | Extraordinary Life of an Ordinary Man | 4 | 1 read | |
#74 | | 0 | 1 read | |
#75 | Hitchcock's Blondes: The Unforgettable Women Behind the Legendary Director's Dark Obsession | 4 | 1 read | |
#76 | Opposable Thumbs: How Siskel & Ebert Changed Movies Forever | 4.1 | 13 reads | |
#77 | The Golden Screen: The Movies That Made Asian America | 0 | 0 reads | |
#78 | | 4.5 | 5 reads | |
#79 | The Exorcist Effect - Joseph P. Laycock
- Laycock/Harrelson
- Eric Harrelson
| 0 | 0 reads | |
#80 | | 5 | 3 reads | |
#81 | | 4 | 3 reads | |
#82 | Black Caesars and Foxy Cleopatras: A History of Blaxploitation Cinema | 0 | 1 read | |
#83 | MCU: The Reign of Marvel Studios - Dave Gonzales
- Gavin Edwards
- Joanna Robinson
| 3.89 | 11 reads | |
#84 | Kubrick: An Odyssey - Robert P. Kolker
- Nathan Abrams
| 0 | 0 reads | |
#85 | Cocktails with George and Martha: Movies, Marriage, and the Making of Who’s Afraid of Virginia Woolf? | 0 | 0 reads | |
#86 | | 4 | 1 read | |
#87 | | 0 | 0 reads | |
#88 | The Films of Akira Kurosawa | 0 | 0 reads | |
#89 | | 0 | 0 reads | |
#90 | My Life as a Godard Movie | 0 | 0 reads | |
#91 | Ennio Morricone: In His Own Words | 0 | 0 reads | |
#92 | A Complicated Passion: The Life and Work of Agnès Varda | 0 | 0 reads | |
#93 | Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film - Robert P. Kolker
- Nathan Abrams
| 4 | 1 read | |
#94 | | 0 | 0 reads | |