 Ties That Bind: Familial Homophobia and Its Consequences
| 0 | - | |
 Four Thousand Weeks: Time Management for Mortals
| 4.16 | - | |
 Os Enamoramentos
| 4 | - | |
 Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018
| 0 | - | |
 Seeing Like a State
| 4.06 | - | |
 The Beginners
| 0 | - | |
 On Wanting to Change
| 4 | - | |
 How to Do Nothing: Resisting the Attention Economy
| 3.62 | - | |
 La plaza del diamante
| 0 | - | |
 Nada
| 3.54 | 5 | |
 What Artists Wear
| 5 | - | |
 Saving Time
| 3.41 | - | |
 Daily Rituals: How Artists Work
| 3.56 | - | |
 Best Thought, Worst Thought: On Art, Sex, Work and Death
| 0 | - | |
 The Art of Critical Making: Rhode Island School of Design on Creative Practice | 0 | - | |
 On the Commerce of Thinking: Of Books and Bookstores
| 0 | - | |
 Devotions
| 4.36 | - | |
 The Fragility of Goodness: Luck and Ethics in Greek Tragedy and Philosophy
| 0 | - | |
 Scorched Grace
| 3.71 | - | |
 Daughters of Night
| 0 | - | |
 The Visual Culture Reader | 0 | - | |
 Visual Culture
| 0 | - | |
 Marília de Dirceu
| 3 | - | |
 Matadouro-Cinco
| 4.33 | - | |
 Notes of a Native Son
| 4.24 | - | |
 Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture
| 5 | - | |
 Água Funda
| 5 | - | |
 Quincas Borba
| 4.4 | - | |
 Romanceiro da Inconfidência
| 0 | - | |
 Alguma poesia
| 0 | - | |
 Nós matamos o Cão Tinhoso!
| 4 | - | |
 Practices of Looking: An Introduction to Visual Culture
| 0 | - | |
 Dois irmãos
| 2 | 5 | |
 Os Ratos
| 3.25 | - | |
 The Book
| 0 | - |
