 More Scary Stories to Tell in the Dark
| 3.73 | 4 | |
 Hegel in a Wired Brain
| 0 | - | |
 Grotesque
| 4 | - | |
 Coin Locker Babies
| 4.06 | - | |
 Too Much and Never Enough
| 3.66 | - | |
 Stoner
| 4.48 | 4 | |
 Where I'm Calling From: New and Selected Stories
| 4.23 | 4 | |
 Nagasaki: Life After Nuclear War
| 5 | - | |
 Perfect Blue
| 3.5 | 3 | |
 Animal Farm
| 4.04 | 4 | |
 Of Mice and Men
| 3.79 | 4 | |
 What We Talk About When We Talk About Love
| 4.01 | 4 | |
 White Fragility
| 4.02 | - | |
 Holes
| 3.99 | 3 | |
 Beautiful Fighting Girl Beautiful Fighting Girl
| 3.75 | - | |
 Seeking Good Temptation
| 0 | - | |
 Gaze at the Scenes of Debauchery
| 0 | - | |
 等你到35岁 等你到35岁
| 0 | - | |
 The Dumb Waiter
| 3.5 | - | |
 Spring Snow
| 4.04 | - | |
 Beauty and Sadness
| 3.64 | - | |
 Confessions of a Mask
| 4.03 | 3 | |
 Silent Love
| 0 | - | |
 Tariki: Embracing Despair, Discovering Peace
| 0 | - | |
 House of the Sleeping Beauties and Other Stories
| 2.75 | - | |
 Snow Country
| 3.44 | 3 | |
 The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies
| 0 | - | |
 The Yellow Wallpaper and Other Stories
| 3.86 | 5 | |
 The Adventures of Huckleberry Finn
| 3.59 | 3 | |
 How to Eat Fried Worms
| 3.36 | 3 | |
 What is to be done?
| 3.17 | - | |
 Meditations
| 4.17 | 4 | |
 The Adventures of Tom Sawyer
| 3.64 | 3 | |
 Songs of a Dead Dreamer
| 3 | - | |
 Generation Ecstasy: Into the World of Techno and Rave Culture
| 0 | - | |
 My Work is Not Yet Done: Three Tales of Corporate Horror
| 4 | - | |
 Hatchet
| 3.6 | 3 | |
 And Then There Were None
| 4.25 | 3 | |
 The Visible Filth
| 3.25 | - | |
 Critique of Cynical Reason
| 0 | - | |
 君空
| 0 | - | |
 The Catcher in the Rye
| 3.6 | 5 | |
 The Key
| 4 | - | |
 The Makioka Sisters
| 3.67 | - | |
 Some Prefer Nettles
| 3.33 | - | |
 Naomi
| 3.55 | 3 | |
 In Praise of Shadows
| 3.52 | - | |
 Jk Haru Is a Sex Worker in Another World
| 4 | 3 | |
 Japan Sinks: A Novel
| 3 | - | |
 The Giver
| 4 | 4 | |
 Whatever
| 3.67 | - | |
 Adult Manga Adult Manga: Culture and Power in Contemporary Japanese Society
| 0 | - | |
 The Platform Economy: How Japan Transformed the Consumer Internet
| 0 | - | |
 Straight from the Heart
| 0 | - | |
 Schoolgirls, Money and Rebellion in Japan
| 0 | - | |
 Otaku
| 3.67 | - | |
 Crime and Punishment
| 4.26 | - | |
 Death in Her Hands
| 3.33 | - | |
 The House of Mirth
| 3.9 | - | |
 The Fault in Our Stars
| 3.9 | 3 | |
 The Awakening
| 3.64 | 4 | |
 The Perks of Being a Wallflower
| 4.05 | 4 | |
 The Great Gatsby
| 3.73 | 3 | |
 Females
| 4.25 | - | |
 Orientalism
| 4.28 | - | |
 The Great Mirror of Male Love
| 3 | - | |
 Nlp: Dark Psychology and Manipulation
| 0 | - | |
 Shutting out the sun
| 0 | 2 | |
 Straitjacket Society Straitjacket Society
| 0 | - | |
 Otaku and the Struggle for Imagination in Japan
| 0 | - | |
 Story of O
| 3.18 | - | |
 Hojoki: Visions of a Torn World
| 4.17 | - | |
 Essays in Idleness: The Tsurezuregusa of Kenkō
| 3.5 | - | |
 Media Theory in Japan | 0 | - | |
 Interpreting Our Heritage
| 0 | - | |
 SCUM Manifesto
| 4.09 | 5 | |
 Manufacturing Consent
| 3.96 | - | |
 The Culture Industry
| 4 | - | |
 Global Culture Industry: The Mediation of Things
| 0 | - | |
 The Picture of Dorian Gray
| 4.06 | - | |
 Bowling Alone
| 4 | - | |
 Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture
| 5 | - | |
 The Castle of Otranto
| 2.98 | 2 | |
 Japanese Horror and the Transnational Cinema of Sensations
| 0 | - | |
 Cinema Anime: Critical Engagements with Japanese Animation | 0 | - | |
 The Death Scene Artist
| 0 | - | |
 Hikikomori
| 0 | - | |
 I Called Him Necktie I Called Him Necktie
| 4 | - | |
 Hikikomori and the Rental Sister
| 0 | - | |
 The Crazy Iris and Other Stories of the Atomic Aftermath
| 0 | - | |
 Cement
| 0 | - | |
 Notes of a Desolate Man
| 5 | - | |
 Erotic Grotesque Nonsense
| 0 | - | |
 殖民地之旅
| 0 | - | |
 Tokyo Stories: A Literary Stroll
| 0 | - | |
Bottled Hell Bottled Hell
| 0 | - | |
 The Tempest
| 3.87 | - | |
 The Tragedy Of Richard Iii
| 3.96 | 4 | |
 Richard II
| 3.79 | 2 | |
 Paradise Lost
| 3.63 | 3 |
