 Beyond Good and Evil
| 3.51 | - | |
 Tightrope
| 4 | 5 | |
 Arguing with Zombies
| 3.5 | - | |
 Invisible Man
| 3.83 | 4 | |
 Severance
| 3.83 | 4 | |
 The Big Short
| 4.16 | - | |
 Inherent Vice
| 3.9 | 4 | |
 Ballad of the Whiskey Robber
| 4.13 | 4 | |
 The Communist Manifesto
| 3.41 | 4 | |
 The Crying of Lot 49
| 3.8 | - | |
 In the Shadow of Young Girls in Flower
| 4.42 | 4 | |
 Point B
| 3 | - | |
 A Clockwork Orange
| 3.91 | - | |
 String Theory
| 4.6 | - | |
 White Fang
| 3.79 | - | |
 First as tragedy, then as farce
| 3.43 | 4 | |
 Doctor Zhivago
| 3.45 | - | |
 Streets of Laredo
| 4.03 | 4 | |
 American Pastoral
| 3.75 | 4 | |
 The Border
| 4.61 | 5 | |
 Bad Blood: Secrets and Lies in a Silicon Valley Startup
| 4.42 | 5 | |
 The Windup Girl
| 3.69 | 4 | |
 The Power of the Dog
| 4.46 | 5 | |
 Life, the Universe and Everything
| 3.99 | 3 | |
 Love in the Time of Cholera
| 3.74 | - | |
 The Poisonwood Bible
| 4.07 | - | |
 The Restaurant at the End of the Universe
| 4.05 | 3 | |
 Nine Lies About Work
| 4.25 | 4 | |
 Exhalation
| 4.26 | - | |
 The Day It Finally Happens
| 2.67 | - | |
 Silicon City: San Francisco in the Long Shadow of the Valley
| 4 | 4 | |
 Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World
| 4.4 | 4 | |
 A Heartbreaking Work of Staggering Genius
| 3.72 | - | |
 Into the Wild
| 3.87 | 4 | |
 A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments
| 4.2 | - | |
 Watchmen
| 4.45 | 5 | |
 The Game
| 3.67 | - | |
 Origin
| 3.58 | 4 | |
 The Plot Against America
| 3.69 | - | |
 Range
| 4.15 | 4 | |
 The Omnivore's Dilemma: A Natural History of Four Meals
| 4.11 | - | |
 Cloud Atlas
| 3.91 | - | |
 The Prince
| 3.63 | - | |
 The Call of the Wild / White Fang
| 3.5 | - | |
 Portnoy's Complaint
| 3.5 | 4 | |
 The Goldfinch
| 3.94 | 5 | |
 God Bless You, Mr. Rosewater
| 3.93 | - | |
 A Gentleman in Moscow
| 4.24 | - | |
 The Sirens of Titan
| 3.98 | 4 | |
 11/22/63
| 4.34 | - | |
 Moby-Dick
| 3.57 | 3 | |
 Siddhartha
| 3.96 | - | |
 The Hitchhiker's Guide to the Galaxy
| 4.25 | 4 | |
 Dracula
| 3.85 | 4 | |
 The Picture of Dorian Gray
| 4.05 | - | |
 Bullshit Jobs: A Theory
| 3.93 | 4 | |
 Factotum
| 3.85 | 4 | |
 Gravity's Rainbow
| 4.12 | 3 | |
 Aztec
| 4 | 5 | |
 What I Talk About When I Talk About Running
| 3.89 | - | |
 Going Postal
| 4.37 | 4 | |
 How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence
| 4.19 | - | |
 Ulysses
| 3.82 | 4 | |
 A Tale for the Time Being | 4 | 4 | |
 The Devil in the White City
| 4.01 | - | |
 The New New Thing: A Silicon Valley Story
| 3.58 | 4 | |
 The Monk of Mokha
| 4.6 | 5 | |
 Asymmetry
| 3.46 | 3 | |
 The Library Book
| 3.93 | 4 | |
 Lonesome Dove
| 4.63 | 5 | |
 Memoirs of a Geisha
| 3.93 | - | |
 The Broom of the System
| 3.61 | 4 | |
 Utopia for Realists: How We Can Build the Ideal World
| 4 | - | |
 Fear and Loathing in Las Vegas
| 4.07 | 3 | |
 War and Peace
| 3.99 | - | |
 Black Leopard, Red Wolf (The Dark Star Trilogy #1)
| 3.1 | 4 | |
 An Artist of the Floating World
| 3.86 | 4 | |
 Mother Night
| 4.2 | 4 | |
 The Three Musketeers
| 3.89 | 3 | |
 Trainspotting
| 4.25 | 4 | |
 Slow Getting Up
| 4.33 | 4 | |
 The Count of Monte Cristo
| 4.3 | - | |
 Our Revolution
| 4.14 | - | |
 While mortals sleep
| 3.6 | 4 | |
 Ham on Rye
| 3.9 | 4 | |
 Why I Write
| 3.82 | - | |
 The Sellout
| 3.79 | 4 | |
 Player Piano
| 3.8 | 5 | |
 It Can't Happen Here
| 3.71 | - | |
 Killers of the Flower Moon: The Osage Murders and the Birth of the FBI
| 4.15 | 4 | |
 Frankenstein: The 1818 Text
| 3.84 | - | |
 The Giver
| 4 | - | |
 The Great Gatsby
| 3.73 | - | |
 Of Mice and Men
| 3.78 | - | |
 One Flew Over the Cuckoo's Nest
| 4.06 | - | |
 To Kill a Mockingbird
| 4.15 | - | |
 The Hobbit
| 4.3 | - | |
 Neuromancer
| 3.85 | 3 | |
 The Sound and the Fury: An Authoritative Text, Backgrounds and Contexts, Criticism
| 3.68 | - | |
 The Autobiography of Malcolm X
| 4.46 | - |
