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The Three-Body Problem - Cixin Liu
- Ken Liu (Translator)
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Invisible Cities - Italo Calvino
- William Weaver (Translator)
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How to Write Science Fiction & Fantasy | 5 | |
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On Writing: A Memoir of the Craft | 5 | |
Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel | 4 | |
Born a Crime: Stories from a South African Childhood | 5 | |
12 Rules for Life: An Antidote to Chaos | 4 | |
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| 3 | |
Infinity Welcomes Careful Drivers | 5 | |
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Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration | 5 | |
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Modern Romance - Aziz Ansari
- Eric Klinenberg
| 5 | |
The Black Swan: The Impact of the Highly Improbable | - | |
A horse walks into a bar - David Grossman
- Jessica Cohen (Translator)
| 4 | |
The Ultimate Hitchhiker’s Guide to the Galaxy | 5 | |
Maus II: A Survivor's Tale: And Here My Troubles Began - Art Spiegelman
- César Aira (Translator)
| 5 | |
Dlouhý, temný čas svačiny duše | 3 | |
| 4 | |
Maus I: A Survivor's Tale: My Father Bleeds History | 5 | |
So Long, and Thanks for All the Fish | 4 | |
| 5 | |
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The Restaurant at the End of the Universe | 5 | |
Unwaba Revelations : Gameworld Trilogy 3 | 4 | |
How to Get Filthy Rich in Rising Asia | 5 | |
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Good Omens - Neil Gaiman
- Terry Pratchett
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The View from the Cheap Seats: Selected Nonfiction | 4 | |
| 3 | |
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Trigger Warning: Short Fictions and Disturbances | 5 | |
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| 4 | |
Stories of Your Life and Others | 5 | |
| 5 | |
The Obstacle Is the Way: The Timeless Art of Turning Adversity to Advantage | 4 | |
| 3 | |
| 5 | |
#AskGaryVee : one entrepreneur's take on leadership, social media, & self-awareness | 4 | |
One Hundred Years of Solitude - Gabriel García Márquez
- Gregory Rabassa (Translator)
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| 4 | |
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| 2 | |
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| 3 | |
Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character - Richard P. Feynman
- Микола Климчук (Translator)
| 5 | |
| 4 | |
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| 5 | |
How to Talk to Girls at Parties | 5 | |
| - | |
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| 5 | |
| 2 | |
| 4 | |
The 22 Immutable Laws of Marketing: Violate Them at Your Own Risk | 4 | |
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The Ocean at the End of the Lane | 5 | |
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