| 4.17 |
| 4.04 |
The London Séance Society | 3.23 |
Gwen and Art Are Not in Love | 3.87 |
| 4.13 |
| 4.29 |
| 3.9 |
| 4.32 |
| 0 |
| 0 |
| 5 |
Between Dragons and their Wrath | 5 |
| 4.2 |
| 3.6 |
Remarkably Bright Creatures | 4.17 |
| 4.54 |
The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War | 4.1 |
| 4.81 |
| 4.18 |
Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex | 4.01 |
Bi: The Hidden Culture, History, and Science of Bisexuality | 3.88 |
Bad Therapy: Why the Kids Aren't Growing Up | 2.14 |
| 0 |
| 3.87 |
| 4.16 |
| 3.92 |
| 3.96 |
| 3.67 |
| 4 |
| 4.08 |
| 4.15 |
| 3.84 |
| 3.66 |
| 3.5 |
| 3.52 |
| 0 |
| 5 |
| 3.82 |
| 4.01 |
A Man Called Ove - Fredrik Backman
- Henning Koch (Translator)
| 4.36 |
| 3.8 |
| 4.28 |
| 4.48 |
| 4.49 |
In Memoriam - Alice Winn
- Bruno Álvarez Herrero (Translator)
| 4.52 |
The Cleveland Heights LGBTQ Sci-Fi and Fantasy Role Playing Club | 3 |
Masters of the Air: America's Bomber Boys Who Fought the Air War Against Nazi Germany | 4.5 |
| 4.26 |
| 4.14 |
The Last House on Needless Street | 3.92 |
| 4.4 |
| 3.56 |
| 4.08 |
| 4.08 |
The Girls: Sappho Goes to Hollywood | 5 |
| 0 |
Can I Steal You for a Second? | 0 |
| 4.1 |
| 4.29 |
| 3.8 |
By Grand Central Station I Sat Down and Wept | 2.38 |
| 3.25 |
| 0 |
| 3.33 |
| 2 |
| 3.9 |
| 0 |
| 3.9 |
| 3.64 |
| 4 |
| 4.04 |
| 2 |
| 3.6 |
| 3 |
| 3.97 |
| 3.69 |
| 4 |
| 3.5 |
Moby Dyke: An Obsessive Quest to Track Down the Last Remaining Lesbian Bars in America | 4.38 |
| 4 |
| 0 |
| 0 |
| 3.54 |
And Then He Sang a Lullaby | 2 |
| 3.59 |
| 0 |
| 3 |
| 0 |
| 3.92 |
| 3 |
| 3.46 |
All the Living and the Dead: From Embalmers to Executioners, an Exploration of the People Who Have Made Death Their Life's Work | 4.18 |
| 3.78 |
| 4.43 |
Tomorrow, and Tomorrow, and Tomorrow | 4.13 |
If You Still Recognise Me | 4 |
They're Going to Love You | 4 |
The Wager: A Tale of Shipwreck, Mutiny and Murder | 4.12 |
| 4.27 |
Fools In Love: Fresh Twists on Romantic Tales | 3.83 |