 Someone to Watch Over Me
| 4 | - | |
 Silent Sky
| 0 | - | |
 Glengarry Glen Ross
| 3.84 | 1 | |
 Behind Closed Doors
| 3.7 | 1 | |
 The Golden Couple
| 3.82 | 4 | |
 All My Sons
| 3.64 | - | |
 Yellow Face
| 0 | - | |
 Crimes of the heart
| 3 | 2 | |
 Clybourne Park
| 5 | - | |
 How I Learned to Drive
| 3 | - | |
 The Wolves
| 4 | 4 | |
 The Children's Hour The Children's Hour
| 3.8 | - | |
 A Doll's House, Part 2
| 4 | 4 | |
 In the Next Room, or the Vibrator Play
| 3.75 | - | |
 Arcadia
| 4.06 | - | |
 Really Really
| 0 | - | |
 The Humans
| 5 | - | |
 Oleanna
| 3.14 | 2 | |
 The American Dream & The Zoo Story
| 4 | - | |
 Perestroika
| 4.39 | 4 | |
 Dinner with Friends
| 5 | 3 | |
 The Whale | 2 | - | |
 Reasons to Be Pretty Reasons to Be Pretty
| 3 | 1 | |
 Miss Julie
| 3.2 | - | |
 The Effect of Gamma Rays on Man-in-the-Moon Marigolds
| 3 | - | |
 'night, Mother
| 4.5 | - | |
 Cat on a Hot Tin Roof
| 4.06 | - | |
 Margaret Pole
| 0 | - | |
 Intimate Apparel
| 0 | - | |
 Admissions
| 3 | 3 | |
 Fast, Feast, Repeat
| 3.75 | 3 | |
 The Seven Husbands of Evelyn Hugo
| 4.29 | 4 | |
One Jewish Boy One Jewish Boy
| 4 | 4 | |
 POTUS
| 4 | 4 | |
 Here There Are Blueberries
| 4 | 4 | |
 The Song of Achilles
| 4.26 | 3 | |
 The Actor Speaks
| 4 | 4 | |
 Spare
| 3.56 | 3 | |
 The Marriage Portrait
| 4.13 | 2 | |
 Lungs
| 0 | 5 | |
 Hester
| 3.87 | 5 | |
 Year of Wonders
| 3.56 | 4 | |
 Shakespeare in a Divided America
| 3.83 | 3.5 | |
 People, Places & Things
| 4 | 4 | |
 American Royals: Inheritance
| 3 | 2 | |
 Rivals
| 3.54 | 3 | |
 Learwife
| 2.5 | 2 | |
 The Approach The Approach
| 5 | 5 | |
 Compulsion of the House Behind
| 4 | 4 | |
 The Maidens
| 3.42 | - | |
 Really Really
| 3 | 3 | |
 Marys Seacole
| 3 | 3 | |
 If We Were Villains
| 3.94 | 5 | |
 Sex Cult Nun: Breaking Away from the Children of God, a Wild, Radical Religious Cult
| 4 | 2 | |
 Fleabag: The Original Play
| 5 | 5 | |
 Silver Tears Silver Tears
| 4 | 3 | |
 The Golden Cage
| 4 | 4 | |
 Phoebe in Winter
| 3 | 3 | |
 Frozen
| 0 | 4 | |
 Third
| 2 | 2 | |
 The Effect
| 0 | 4 | |
 When We Were Young and Unafraid
| 0 | 4 | |
 All's Well
| 3.81 | 5 | |
 The Other Place
| 2 | 2 | |
 The Babylon Line
| 4 | 4 | |
 The Turnout
| 2.94 | 3 | |
 Clamorous Voices: Shakespeare's Women Today
| 5 | 5 | |
 Classically Speaking: Dialects for Actors
| 4 | 4 | |
 The Shakespeare Requirement
| 4.5 | 1 | |
 What Could Be Saved
| 4 | 1 | |
 Hour of the Witch
| 3.9 | 4 | |
 You, Me & the Sea You, Me & the Sea
| 0 | 3 | |
 To Tell You the Truth
| 3.13 | 4 | |
 The Four Winds
| 4.13 | 4 | |
 The Paris Library
| 3.85 | - | |
 The Office of Historical Corrections
| 4.19 | 4 | |
 When No One is Watching
| 3.59 | 3 | |
 Oona Out of Order
| 3.76 | 4 | |
 Wordslut: A Feminist Guide to Taking Back the English Language
| 4.28 | - | |
 The Searcher
| 3.76 | 4 | |
 A Good Marriage
| 3.81 | - | |
 The Daughters of Erietown
| 3.5 | 3 | |
 American Royals II: Majesty
| 3.36 | 2 | |
 American Royals
| 3.72 | 3 | |
 Make Your Voice Heard: An Actor's Guide to Increased Dramatic Range Through Vocal Training
| 4 | 4 | |
 Speaking With Skill: An Introduction to Knight-Thompson Speech Work
| 4 | 4 | |
 The Margot Affair
| 3.5 | 3 | |
 Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor
| 4.35 | 4 | |
 The Heir Affair
| 3.73 | 2 | |
 The Royal We
| 4 | 3 | |
 How to Be an Antiracist
| 4.31 | 5 | |
 White fragility : why it's so hard for white people to talk about racism
| 3.98 | 3 | |
 The Girl Who Lived The Girl Who Lived: A Thrilling Suspense Novel
| 4.5 | 3 | |
 We Are Never Meeting in Real Life.
| 4.03 | 3 | |
 A Woman in Berlin
| 4.21 | 3 | |
The Collaborator The Collaborator
| 0 | 3 | |
I Keep My Worries in My Teeth I Keep My Worries in My Teeth
| 3.5 | - | |
 The Dutch House
| 4.02 | 4 | |
 Little Girl Lost
| 3.5 | 3 | |
 Hamnet
| 4.18 | 4 |
