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| 4 | - | |
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| 4.27 | 4 | |
 The Mothman Prophecies
| 3.3 | - | |
 Timaeus and Critias
| 5 | - | |
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| 4.67 | 4 | |
 The Stinky Cheese Man and Other Fairly Stupid Tales
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 The Book Of Job
| 5 | - | |
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 Kwaidan: Stories and Studies of Strange Things
| 3.5 | - | |
 Nausicaä of the Valley of the Wind: The Complete Series
| 4.86 | - | |
 Burning Chrome
| 3.75 | - | |
 Junky
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 West by West: My Charmed, Tormented Life
| 3.67 | - | |
 American Utopia
| 2 | - | |
 The Teenage Slasher Movie Book The Teenage Slasher Movie Book: 2nd Revised and Expanded Edition
| 0 | - | |
 Bicycle Diaries
| 3.36 | - | |
 Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar
| 0 | - | |
 A Companion to Luis Buñuel
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 When the Clock Broke: Con Men, Conspiracists, and How America Cracked Up in the Early 1990s
| 4 | - | |
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 Tod Papageorge Tod Papageorge: Core Curriculum: Writings on Photography
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 Believing is Seeing Believing is Seeing: Observations on the Mysteries of Photography
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 Lessons With Eisenstein
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 Philosophy of Film and Motion Pictures Philosophy of Film and Motion Pictures | 0 | - | |
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| 3.95 | - | |
 Butcher's Crossing
| 4.26 | - | |
 The Red and the Black
| 3.3 | - | |
The Philosophy of Horror The Philosophy of Horror: Or, Paradoxes of the Heart
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 The Philosophy of Motion Pictures The Philosophy of Motion Pictures
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 I Lost it at the Movies: Film Writings, 1954-1965
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 There Is Power in a Union: The Epic Story of Labor in America
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| 2.5 | - | |
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 The Loneliest Americans
| 4 | - | |
Bootleg Bootleg: The Rise & Fall of the Secret Recording History
| 0 | - | |
 Mobile Cultures: New Media in Queer Asia | 0 | - | |
 Transcendental style in film : Ozu, Bresson, Dreyer
| 0 | - | |
 Chinese Films in Focus: 25 New Takes
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 Life to those shadows
| 0 | - | |
 The Man Who Heard Voices
| 0 | - | |
 China on Screen: Cinema and Nation
| 0 | - | |
 Chinese Films in Focus II | 0 | - | |
 Far From the Madding Crowd
| 3.9 | - | |
 The Dark Eidolon and Other Fantasies
| 4.25 | - | |
 Usagi Yojimbo, Vol. 3: The Wanderer's Road
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 The Cinema of Michael Mann The Cinema of Michael Mann
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 The Future Was Color
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 Built to Lose Built to Lose: How the NBA’s Tanking Era Changed the League Forever
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 Farewell, My Lovely
| 3.94 | - | |
 Double Indemnity
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 The Cinematographer's Voice The Cinematographer's Voice: Insights into the World of Visual Storytelling | 0 | - | |
 Cinema's Original Sin: D.W. Griffith, American Racism, and the Rise of Film Culture
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 Time Tells, Vol. 1
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| 4.26 | - | |
 The Prime of Miss Jean Brodie
| 3.58 | - | |
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 The Mezzanine
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 Casino: Love and Honor in Las Vegas
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 The English Understand Wool
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 Positively Fourth Street : The Lives and Times of Joan Baez, Bob Dylan, Mimi B
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 The Method
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 Negative Space
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 A Critique of Film Theory
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Film Quarterly Film Quarterly: Forty Years―A Selection | 0 | - | |
FilmCraft FilmCraft: Editing
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 By Night In Chile
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 Watership Down
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 Wild West Movies: Or How the West Was Found, Won, Lost, Lied About, Filmed and Forgotten
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 The Tortilla Curtain
| 3.18 | - | |
 Lithium for Medea
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 The Day of the Locust
| 3.27 | - | |
 Southland
| 4 | - | |
 The Rainmaker
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 A River Called Titash
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 The Last of the Mohicans
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 The Spiritual Emerson
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 Leaves of Grass
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 Alibis: Essays on Elsewhere
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 On the Beach
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 Black Looks
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 Out of Egypt: A Memoir
| 4 | - | |
 Enigma Variations
| 3.68 | - | |
 Bright Boulevards, Bold Dreams: The Story of Black Hollywood
| 4 | - | |
 Mammy: A Century of Race, Gender, and Southern Memory
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Black Cinema Treasures Black Cinema Treasures: Lost and Found
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 Radioactive Dreams: The Cinema of Albert Pyun
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 Harvard Square
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 Mildred Pierce
| 3.33 | - | |
 A time to be born
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 Ducks: Two Years in the Oil Sands
| 4.51 | - | |
 The Friedkin Connection : A Memoir
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 Satantango
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 Good Morning, Midnight
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The Movies That Changed Us The Movies That Changed Us: Reflections on the Screen
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 Nineteen Reservoirs
| 2 | - | |
 Low Life
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