| #2 |  Hollywood Lighting from the Silent Era to Film Noir Hollywood Lighting from the Silent Era to Film Noir
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| #3 |  Film Studies: An Introduction
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| #4 |  Film, a sound art
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| #5 |  Hitchcock's Romantic Irony
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| #6 |  The Dynamic Frame: Camera Movement in Classical Hollywood
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| #7 |  The Black Guy Dies First
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| #8 |  Vampire Movies
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| #9 |  Chinese Connections: Critical Perspectives on Film, Identity, and Diaspora |
| #10 |  The Last Days: Steven Spielberg and Survivors of the Shoah Visual History Foundation
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| #11 |  Steven Spielberg Steven Spielberg: Interviews |
| #12 |  Steven Spielberg Steven Spielberg: A Biography
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| #13 |  Otaku
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| #14 |  Minding Movies Minding Movies: Observations on the Art, Craft, and Business of Filmmaking
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| #15 |  The Rhapsodes: How 1940s Critics Changed American Film Culture
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| #16 |  Reinventing Hollywood
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| #17 | Poetics Of Cinema Poetics Of Cinema
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| #18 |  Figures Traced in Light Figures Traced in Light: On Cinematic Staging
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| #19 | Making Meaning Making Meaning: Inference and Rhetoric in the Interpretation of Cinema
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| #20 |  Planet Hong Kong: Popular Cinema and the Art of Entertainment
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| #21 |  On the History of Film Style
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| #22 |  The Way Hollywood Tells It
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| #23 |  Pandora’s Digital Box: Films, Files, and the Future of Movies
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| #26 |  Film Art
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| #27 |  Perplexing Plots: Popular Storytelling and the Poetics of Murder
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| #28 |  A Panorama of American Film Noir
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| #29 |  Film Noir: A Very Short Introduction
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| #30 |  More Than Night
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| #31 |  An Invention Without a Future: Essays on Cinema
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| #32 |  Hollywood Babilonia
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| #33 |  Lynch on Lynch
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| #34 |  Hitchcock
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| #35 |  What Makes Sammy Run?
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| #36 |  The Dream Life: Movies, Media, And The Mythology Of The Sixties
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| #37 |  Film Film: The Front Line 1983
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| #38 |  The Material Image: Art and the Real in Film
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| #39 |  The Disney Films
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| #40 |  Leonard Maltin's Classic Movie Guide Leonard Maltin's Classic Movie Guide
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| #41 | Projections 10 Projections 10: Hollywood Film-makers on Film-making |
| #42 |  Bollywood
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| #43 |  Beyond Blaxploitation |
| #44 |  Banned in Kansas: Motion Picture Censorship, 1915-1966
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| #45 |  Godard on Godard
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| #46 |  Moving Places
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| #47 | Discovering Orson Welles Discovering Orson Welles
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| #48 |  Movies as Politics Movies as Politics
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| #49 |  Goodbye Cinema, Hello Cinephilia: Film Culture in Transition
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| #50 | Movie Wars Movie Wars: How Hollywood and the Media Limit What Movies We Can See
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| #51 | Essential Cinema Essential Cinema: On the Necessity of Film Canons
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| #52 |  Colors of Film: The Story of Cinema in 50 Palettes
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| #53 |  The American Cinema: Directors and Directions 1929-1968
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| #54 | "You Ain't Heard Nothin' Yet" "You Ain't Heard Nothin' Yet": The American Talking Film: History and Memory 1927-1949
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| #55 |  Interviews With Film Directors: Candid Conversations on the Art of Film with Forty key Film-makers
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| #56 |  TCM Underground: 50 Must-See Films from the World of Classic Cult and Late-Night Cinema
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| #57 |  New York Movies
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| #58 |  Notes on the Cinematographer
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| #59 |  Cinema of John Ford
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| #60 | This Is Orson Welles This Is Orson Welles
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| #61 | Movie Journal Movie Journal: The Rise of the New American Cinema, 1959-1971
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| #62 | Letters from Hollywood Letters from Hollywood: Inside the Private World of Classic American Moviemaking
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| #63 |  The cinema of Alfred Hitchcock
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| #64 | The Essential Directors The Essential Directors: The Art and Impact of Cinema's Most Influential Filmmakers
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| #65 | Fritz Lang in America Fritz Lang in America
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| #66 |  Pieces of Time
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| #67 | John Ford John Ford
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| #68 | Who the Hell's in It Who the Hell's in It: Conversations With Hollywood's Legendary Actors
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| #69 | Who the Devil Made It Who the Devil Made It: Conversations with Legendary Film Directors
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| #70 |  The Cinema House and the World: The Cahiers du Cinema Years, 1962-1981
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| #71 | Theory of Film Theory of Film: The Redemption of Physical Reality
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| #72 | Pre-Code Hollywood Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema; 1930-1934
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| #73 | L.A. Noir L.A. Noir: Nine Dark Visions of the City of Angels
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| #74 |  Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films
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| #75 |  Sexual Politics & Narrative Film
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| #76 | New Hollywood Cinema New Hollywood Cinema: An Introduction
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| #77 |  Rock on Film: The Movies That Rocked the Big Screen
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| #78 |  Me
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| #79 |  Easy Riders, Raging Bulls: How the Sex-Drugs-And-Rock-'N'-Roll Generation Saved Hollywood
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| #80 |  By Myself and Then Some
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| #81 |  Movie Mutations: The Changing Face of World Cinephilia
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| #82 | When Movies Mattered When Movies Mattered: Reviews from a Transformative Decade
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| #83 |  Abel Ferrara Abel Ferrara
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| #84 |  Rio Bravo
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| #85 | Physical Evidence Physical Evidence: Selected Film Criticism
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| #86 | A Long Hard Look at Psycho A Long Hard Look at Psycho
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| #87 |  Olivier Assayas |
| #88 | Howard Hawks Howard Hawks: The Grey Fox of Hollywood
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| #89 |  Films and feelings
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| #90 |  Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition
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| #91 |  Fun In a Chinese Laundry
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| #92 |  Hollywood: The Oral History
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| #93 |  A Light in the Dark: A History of Movie Directors
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| #94 | Satyajit Ray Satyajit Ray: The Inner Eye
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| #95 |  Satyajit Ray on Cinema
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| #96 | Satyajit Ray Satyajit Ray: A Study of His Films
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| #97 | Double Feature Double Feature: Movies and Politics
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| #98 | Storytelling in the New Hollywood Storytelling in the New Hollywood: Understanding Classical Narrative Technique
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| #99 | Permanent Evolution Permanent Evolution: Selected Essays on Literature, Theory and Film
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| #100 | Voyages of Discovery Voyages of Discovery: The Cinema of Frederick Wiseman
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| #101 |  The Lure of the Image
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| #102 |  Cruisy, Sleep, Melancholy: Sexual Disorientation in the Films of Tsai Ming-liang
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| #103 |  Horror Noire
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