| #2 |  Hollywood Lighting from the Silent Era to Film Noir Hollywood Lighting from the Silent Era to Film Noir
| 0 | 2 reads |
| #3 |  Film Studies: An Introduction
| 0 | 1 read |
| #4 |  Film, a sound art
| 0 | 0 reads |
| #5 |  Hitchcock's Romantic Irony
| 0 | 0 reads |
| #6 |  The Dynamic Frame: Camera Movement in Classical Hollywood
| 0 | 0 reads |
| #7 |  The Black Guy Dies First
| 5 | 4 reads |
| #8 |  Vampire Movies
| 0 | 0 reads |
| #9 |  Chinese Connections: Critical Perspectives on Film, Identity, and Diaspora | 0 | 0 reads |
| #10 |  The Last Days: Steven Spielberg and Survivors of the Shoah Visual History Foundation
| 0 | 0 reads |
| #11 |  Steven Spielberg Steven Spielberg: Interviews | 0 | 0 reads |
| #12 |  Steven Spielberg Steven Spielberg: A Biography
| 0 | 0 reads |
| #13 |  Otaku
| 3.5 | 4 reads |
| #14 |  Minding Movies Minding Movies: Observations on the Art, Craft, and Business of Filmmaking
| 0 | 0 reads |
| #15 |  The Rhapsodes: How 1940s Critics Changed American Film Culture
| 0 | 0 reads |
| #16 |  Reinventing Hollywood
| 0 | 0 reads |
| #17 | Poetics Of Cinema Poetics Of Cinema
| 5 | 1 read |
| #18 |  Figures Traced in Light Figures Traced in Light: On Cinematic Staging
| 0 | 0 reads |
| #19 | Making Meaning Making Meaning: Inference and Rhetoric in the Interpretation of Cinema
| 5 | 2 reads |
| #20 |  Planet Hong Kong: Popular Cinema and the Art of Entertainment
| 4 | 1 read |
| #21 |  On the History of Film Style
| 0 | 2 reads |
| #22 |  The Way Hollywood Tells It
| 0 | 0 reads |
| #23 |  Pandora’s Digital Box: Films, Files, and the Future of Movies
| 0 | 0 reads |
| #26 |  Film Art
| 5 | 6 reads |
| #27 |  Perplexing Plots: Popular Storytelling and the Poetics of Murder
| 0 | 0 reads |
| #28 |  A Panorama of American Film Noir
| 0 | 0 reads |
| #29 |  Film Noir: A Very Short Introduction
| 0 | 0 reads |
| #30 |  More Than Night
| 0 | 0 reads |
| #31 |  An Invention Without a Future: Essays on Cinema
| 0 | 0 reads |
| #32 |  Hollywood Babilonia
| 3.45 | 12 reads |
| #33 |  Lynch on Lynch
| 4.5 | 2 reads |
| #34 |  Hitchcock
| 4.44 | 12 reads |
| #35 |  What Makes Sammy Run?
| 3.33 | 9 reads |
| #36 |  The Dream Life: Movies, Media, And The Mythology Of The Sixties
| 0 | 0 reads |
| #37 |  Film Film: The Front Line 1983
| 0 | 0 reads |
| #38 |  The Material Image: Art and the Real in Film
| 0 | 0 reads |
| #39 |  The Disney Films
| 5 | 1 read |
| #40 |  Leonard Maltin's Classic Movie Guide Leonard Maltin's Classic Movie Guide
| 0 | 0 reads |
| #41 | Projections 10 Projections 10: Hollywood Film-makers on Film-making | 0 | 0 reads |
| #42 |  Bollywood
| 0 | 0 reads |
| #43 |  Beyond Blaxploitation | 0 | 0 reads |
| #44 |  Banned in Kansas: Motion Picture Censorship, 1915-1966
| 0 | 0 reads |
| #45 |  Godard on Godard
| 4.5 | 2 reads |
| #46 |  Moving Places
| 0 | 1 read |
| #47 | Discovering Orson Welles Discovering Orson Welles
| 0 | 0 reads |
| #48 |  Movies as Politics Movies as Politics
| 0 | 1 read |
| #49 |  Goodbye Cinema, Hello Cinephilia: Film Culture in Transition
| 0 | 1 read |
| #50 | Movie Wars Movie Wars: How Hollywood and the Media Limit What Movies We Can See
| 0 | 0 reads |
| #51 | Essential Cinema Essential Cinema: On the Necessity of Film Canons
| 5 | 2 reads |
| #52 |  Colors of Film: The Story of Cinema in 50 Palettes
| 0 | 0 reads |
| #53 |  The American Cinema: Directors and Directions 1929-1968
| 0 | 0 reads |
| #54 | "You Ain't Heard Nothin' Yet" "You Ain't Heard Nothin' Yet": The American Talking Film: History and Memory 1927-1949
| 0 | 0 reads |
| #55 |  Interviews With Film Directors: Candid Conversations on the Art of Film with Forty key Film-makers
| 0 | 0 reads |
| #56 |  TCM Underground: 50 Must-See Films from the World of Classic Cult and Late-Night Cinema
| 5 | 1 read |
| #57 |  New York Movies
| 0 | 0 reads |
| #58 |  Notes on the Cinematographer
| 3.5 | 3 reads |
| #59 |  Cinema of John Ford
| 0 | 0 reads |
| #60 | This Is Orson Welles This Is Orson Welles
| 0 | 0 reads |
| #61 | Movie Journal Movie Journal: The Rise of the New American Cinema, 1959-1971
| 0 | 0 reads |
| #62 | Letters from Hollywood Letters from Hollywood: Inside the Private World of Classic American Moviemaking
| 0 | 0 reads |
| #63 |  The cinema of Alfred Hitchcock
| 0 | 0 reads |
| #64 | The Essential Directors The Essential Directors: The Art and Impact of Cinema's Most Influential Filmmakers
| 0 | 0 reads |
| #65 | Fritz Lang in America Fritz Lang in America
| 0 | 0 reads |
| #66 |  Pieces of Time
| 0 | 0 reads |
| #67 | John Ford John Ford
| 0 | 0 reads |
| #68 | Who the Hell's in It Who the Hell's in It: Conversations With Hollywood's Legendary Actors
| 0 | 1 read |
| #69 | Who the Devil Made It Who the Devil Made It: Conversations with Legendary Film Directors
| 0 | 0 reads |
| #70 |  The Cinema House and the World: The Cahiers du Cinema Years, 1962-1981
| 0 | 0 reads |
| #71 | Theory of Film Theory of Film: The Redemption of Physical Reality
| 0 | 2 reads |
| #72 | Pre-Code Hollywood Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema; 1930-1934
| 0 | 1 read |
| #73 | L.A. Noir L.A. Noir: Nine Dark Visions of the City of Angels
| 0 | 0 reads |
| #74 |  Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films
| 0 | 0 reads |
| #75 |  Sexual Politics & Narrative Film
| 0 | 0 reads |
| #76 | New Hollywood Cinema New Hollywood Cinema: An Introduction
| 0 | 0 reads |
| #77 |  Rock on Film: The Movies That Rocked the Big Screen
| 0 | 0 reads |
| #78 |  Me
| 3.5 | 4 reads |
| #79 |  Easy Riders, Raging Bulls: How the Sex-Drugs-And-Rock-'N'-Roll Generation Saved Hollywood
| 3.6 | 18 reads |
| #80 |  By Myself and Then Some
| 0 | 0 reads |
| #81 |  Movie Mutations: The Changing Face of World Cinephilia
| 0 | 0 reads |
| #82 | When Movies Mattered When Movies Mattered: Reviews from a Transformative Decade
| 0 | 0 reads |
| #83 |  Abel Ferrara Abel Ferrara
| 0 | 0 reads |
| #84 |  Rio Bravo
| 0 | 0 reads |
| #85 | Physical Evidence Physical Evidence: Selected Film Criticism
| 0 | 0 reads |
| #86 | A Long Hard Look at Psycho A Long Hard Look at Psycho
| 0 | 0 reads |
| #87 |  Olivier Assayas | 0 | 0 reads |
| #88 | Howard Hawks Howard Hawks: The Grey Fox of Hollywood
| 0 | 0 reads |
| #89 |  Films and feelings
| 0 | 0 reads |
| #90 |  Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition
| 0 | 0 reads |
| #91 |  Fun In a Chinese Laundry
| 0 | 0 reads |
| #92 |  Hollywood: The Oral History
| 0 | 0 reads |
| #93 |  A Light in the Dark: A History of Movie Directors
| 0 | 1 read |
| #94 | Satyajit Ray Satyajit Ray: The Inner Eye
| 0 | 0 reads |
| #95 |  Satyajit Ray on Cinema
| 0 | 0 reads |
| #96 | Satyajit Ray Satyajit Ray: A Study of His Films
| 0 | 0 reads |
| #97 | Double Feature Double Feature: Movies and Politics
| 0 | 0 reads |
| #98 | Storytelling in the New Hollywood Storytelling in the New Hollywood: Understanding Classical Narrative Technique
| 0 | 0 reads |
| #99 | Permanent Evolution Permanent Evolution: Selected Essays on Literature, Theory and Film
| 0 | 0 reads |
| #100 | Voyages of Discovery Voyages of Discovery: The Cinema of Frederick Wiseman
| 0 | 0 reads |
| #101 |  The Lure of the Image
| 0 | 0 reads |
| #102 |  Cruisy, Sleep, Melancholy: Sexual Disorientation in the Films of Tsai Ming-liang
| 0 | 0 reads |
| #103 |  Horror Noire
| 0 | 1 read |
