| #2 |  V.
| 4.06 |
| #3 |  The Matrix Trilogy
| 0 |
| #4 |  Cinema of John Ford
| 0 |
| #5 |  The Trial
| 4.05 |
| #6 |  The Origin of Capitalism
| 5 |
| #7 |  Projections 10 Projections 10: Hollywood Film-makers on Film-making | 0 |
| #8 |  Bollywood
| 0 |
| #9 |  The Disney Films
| 5 |
| #10 |  Beloved
| 3.95 |
| #11 | The Management of Savagery The Management of Savagery
| 0 |
| #12 |  Set The Night On Fire: L.A. in the Sixties
| 0 |
| #13 |  Theory of Film Theory of Film: The Redemption of Physical Reality
| 0 |
| #14 |  Dune
| 4.29 |
| #15 |  Angler Angler: The Cheney Vice Presidency
| 4 |
| #16 |  Mo' Meta Blues
| 3.91 |
| #17 |  New Hollywood Cinema New Hollywood Cinema: An Introduction
| 0 |
| #18 |  The Uncensored Picture of Dorian Gray
| 4.06 |
| #19 |  The Road
| 4.04 |
| #20 | Film Genre Film Genre: From Iconography to Ideology
| 0 |
| #21 |  Usagi Yojimbo Saga, Vol. 3
| 4.27 |
| #22 |  Classic Jazz Classic Jazz: A Personal View of the Music and the Musicians by Floyd Levin
| 0 |
| #23 | Print the Legend Print the Legend: The Life and Times of John Ford
| 0 |
| #24 |  Synners
| 3 |
| #25 |  Of Mice and Magic : History of American Animated Cartoons
| 0 |
| #26 |  Perspectives on Chinese Cinema Perspectives on Chinese Cinema | 0 |
| #27 |  Film Studies: An Introduction
| 0 |
| #28 |  The Conversations : Walter Murch and the Art of Editing Film
| 4 |
| #29 | Essential Cinema Essential Cinema: On the Necessity of Film Canons
| 5 |
