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Average rating5
A riotous and revealing story of Hollywood's most spectacular flops and how they ended careers, bankrupted studios and changed film history. "Failure fascinates, for all the reasons that success is a drag..." From grand follies to misunderstood masterpieces, disastrous sequels to catastrophic literary adaptations, Box Office Poison tells a hugely entertaining alternative history of Hollywood, through a century of its most notable flops. What can these films tell us about the Hollywood system, the public's appetite-or lack of it-and the circumstances that saw such flops actually made? Away from the canon, this is the definitive take on these ill-fated, but essential celluloid failures. Robey covers a vast century of flops, including: Intolerance; Queen Kelly; Freaks; Sylvia Scarlett; The Magnificent Ambersons; Land of the Pharoahs; Doctor Dolittle; Sorcerer; Dune; The Adventures of Baron Munchausen; Nothing But Trouble; The Hudsucker Proxy; Cutthroat Island; Speed 2: Cruise Control; Babe: Pig in the City; Supernova; Rollerball; The Adventures of Pluto Nash; Gigli; Alexander; Catwoman; A Sound of Thunder; Speed Racer; Synecdoche, New York; Pan; and Cats. From Daily Telegraph film critic Tim Robey, this is a brilliantly fun exploration of human nature and stupidity in some of the greatest (or most disastrous) film flops throughout history.
Reviews with the most likes.
Breezy, entertaining look at 100+ years of movies that bombed. They weren't all awful movies; many were victims of bad timing, studio interference, or auteurs given too much freedom. I was most interested in the chapters about movies before my time, such as William Friedkin's Sorcerer, which was released in the midst of the 1977 Star Wars frenzy and sank like a stone, and 1935's Sylvia Scarlett, which almost destroyed Katherine Hepburn's career. I don't need another takedown of Cats; I can find snark about “the butthole cut” anywhere on the internet.