Quincy Troupe launches a pyrotechnic display of jazz rhythms, political commentary, sports tributes, travelogues, and architectural abstracts in his latest volume of poetry, withChoruses. Merging traditional poetic form with contemporary content, Troupe fashions "words & sounds that build bridges toward a new tongue" , as he writes in "Song," an ars poetica. Only Troupe could write a sestina chronicling the mass suicide of Heaven's Gate, or a villanelle for Michael Jordan: "rising up in time, michael jordan hangs like an ikon, suspended in space / / his eyes two radar screens screwed like nails into the mask of his face." A masterful technician, Troupe experiments with free verse as well, repeating the same words in three different line-break configurations in "Images: Three Variations of Shape & Form." From haiku to tonka, from Mark McGwire to Sammy Sosa, from bebop to hip hop, these choruses "become sound tracks lifted off a poet's tongue, / / syllables, within moments, are transformed into song..."
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