Ratings14
Average rating3.6
★ ★ ★ 1/2 (rounded up)
This originally appeared at The Irresponsible Reader as part of a quick takes post to catch up–emphasizing pithiness, not thoroughness.
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I have copious notes on this one, and I just can't decide how to talk about it. So...I'll cheat and do this.
It's like someone decided to do a serious take on Dirk Gently and his approach to detection. And it is pretty serious—although it has moments where I wasn't sure if I was supposed to laugh or not. A former teen detective turned “world's best detective” comes to post-Katrina New Orleans to hunt for a missing D.A. Following the idiosyncratic methods of her mentors (in both print and in real life), DeWitt deals with the good, the bad, and the hard-to-fathom that make up New Orleans. She also deals with some ghosts from her past as she uncovers the truth about the DA (including many things he'd probably want no one to uncover).
It's a book about literary private eyes as much as it is a literary private eye story. I do recommend it, you're not likely to read anything like it. I'm coming back for the sequel soon.
Not that there was a great danger of this, but between this book and Treme there is zero chance I'll ever live in New Orleans.