Death at Paradise Palms
Ratings2
Average rating3.3
15
Ratings2
Average rating3.3
It looks like an open-and-shut case--until one of the Retired Detectives disappears... When movie producer Cody Ziegler goes missing from The Homestead's Millionaires' Row, his wife, retired actress Olivia, immediately claims there's foul play afoot. A million-dollar ransom demand soon follows, with clear instructions not to involve the cops. In desperation she enlists the help of Moira, Rick, Philip and Lizzie, aka the Retired Detectives Club. Racing against the clock, the four retirees set to work. Sure, Cody had enemies--there's a disgruntled employee, a jilted film-maker and a hundred other people who know how much he's worth. But when it emerges that Cody's apparently perfect marriage isn't what it seems, even Olivia isn't above suspicion. When Cody's car turns up in a nearby lake with a shocking surprise inside, the case becomes even more complicated. But with Philip and Lizzie's marriage on the rocks, and threatening notes sending Moira into a spin, the Retired Detectives Club risks falling apart before getting any closer to the truth. Can Moira and the gang find Cody before it's too late? Or will this case see them lose in more ways than one?
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This originally appeared at The Irresponsible Reader.
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After they solved a murder a few months earlier, the Retired Detectives Club has gained a certain amount of notoriety around the Homestead Retirement Community, so it’s not terribly surprising that when a resident has some concerns they call them for help. Particularly when that resident has had bad experiences with the police previously.
This particular resident is a retired movie star, Olivia Hamilton Ziegler. Her husband is missing, and she suspects foul play. They’re having no problems and it’s not like him to just not come home, not call, not pick up his phone, etc.
The Club jumps in, more than willing to help—they find a handful of decent suspects and start to dig into the background of each when a ransom demand shows up. Now they have a pressing deadline and more than a wife’s intuition. It’s time for these retired detectives to get to work.
I’m not sure if this says something about Broadribb’s view of Americans, but in Death in the Sunshine we see that the three British retirees have things from their past that are hovering over them. I like that dynamic, but it’s good that not everyone has some deep, dark secret. Rick, our DEA retiree, seems to be baggage-free and easygoing. Maybe that just means we haven’t seen his baggage, or maybe Broadribb just thinks Americans are shallow.*
* I’m kidding. Probably.
With our British friends, however, things have happened to push these problems from hanging over their heads to being front-and-center in their minds. Normally this would be good, they’re working on the issues, dealing with the issues. However, when this club is the only one working on this kidnapping—the only outsiders aware of it—dealing with personal stuff becomes a distraction. Potentially a fatal one.
All three of these people make huge mistakes in the course of this investigation, easily observable mistakes (especially to the reader). And it’s not because they’re older, it’s not because their minds are slower, or their bodies aren’t up to what they used to be able to do—it’s because their heads aren’t in the game.
This makes for compelling storytelling, it’s great to see flawed characters battling with their flaws—but it’s a good thing they’re all retired because this is the kind of thing that should hurt a career.
Ultimately, I think this series going to be telling the story of the shenanigans at the top of the Homestead Retirement Community. In Death in the Sunshine we see pretty clearly that TPTB filter the news and do what they can to prevent anything negative from getting out to the public or into the residents. And if it does show up, it’s quickly erased.
This takes work on the Social Media, old-school media, and possibly even law enforcement fronts—there’s no way that it’s all coincidental, unintentional, or any other excusable motivation. So the questions that need to be answered are why is this being done, who profits, who is hurt by this, and what actions are being taken/pressures applied, to get these various and sundry groups to quash the information.
Some of the residents see that this is going on—but (if you ask me) not enough seem that concerned—Moira sure is and is doing something about it. She’s working with a local reporter, although she has reason to believe that this is not the safest path for either of them to be taking. But that doesn’t seem to deter her.
I really hope that she’s able to get more of the Club on board with this soon—not that I want them distracted from their next big case. But she’s going to need some backup.
I remember enjoying Death in the Sunshine, but I’d largely forgotten why. It was good to be reminded—this isn’t your typical elderly amateur detective series—this is a grittier take on that trend, full of people who are only amateur now, it wasn’t that long ago they were professionals, and they’ve still got the goods.
I did clock the Main Bad Guy instantly, and can only excuse the Club for not doing the same because of all their distractions (and because they’re not aware that they’re fictional characters, a lot of what tipped me off came from being a reader). So for me, the tension came from wanting to know how long it would take them to get around to discovering the truth—and how they’d use what they learned from the false trails to get there. That was enough for me—the good in this series doesn’t come from the whodunit—but from how they’re caught.
This, like all of Broadribb’s work, is a fast and fun read—it hooks you early and doesn’t let go until it’s good and ready to. Just buckle in and enjoy the ride. I can’t imagine I’ll let the next one of these sit ignored on my Kindle as I did this one.
