Experimental film

It is quite clear that Gemma Files is intimately aware of the Experimental Film output of Canada. An interestingly niche topic, she has managed to create a fascinating and creepy tale based on the potential for truth behind myth and the power of belief and knowledge whilst giving an interesting overview of this weird and wonderful bracket of filmography.

The story focuses on the search for some old films made at the dawn of cinema in Canada by a pioneering women cinematographer who had a fascination with obscure Slavic mythology and occultism. Dealing with obsession, mystery and jealousy this tale packs a decent punch, all playing out against the background of research into historic films.

This was my first read of Gemma Files work, and I was impressed by its erudite but readable prose. Her interest in the subject matter comes across well and you cannot help getting caught up in her enthusiasm. The Wendian myth that forms the basis for her horror plays out in an almost Lovecraftian way - the horror behind the veil as it were. An impressive creepy and educational tale