Ratings89
Average rating3.6
As a university student most of my friends have sought furniture from the Swedish founded big box store IKEA, the endless maze of showrooms I find it easy to imagine that there are hidden passages that lead, not to a secret shortcut to an exit, but to another world entirely.
Nino Cipri’s Nebula Award-nominated novella Finna (2020) takes that concept adds to it a timely set of social concerns, ranging from gender identity to the evils of capitalism generally and low-wage retail jobs in particular and wormholes.
The story is that of Jules and Ava to coworkers who are trying to resolve what they are to each other after a breakup. Jules explains to Ava why they volunteered for task. "A soccer mom enlisted me to help harangue her husband into shelling out money for a new bathroom vanity. She managed to misgender me four times in two minutes,” Jules said. They bent down to pick up the books they’d knocked off the shelf. “Two different pronouns, completely ignored my nametag, eventually settled on calling me ‘the kid.’
During one exchange the LitenVärld manager Tricia, (described as “Midwestern manager-class haircut” with blond highlights (could anything indicate a “Karen” more clearly?), practiced plastic facial expressions, and an utter disregard for the wellbeing of the workers she manages" after barely trying and completely failing to address Jules by their preferred pronouns decries 'It's too difficult, I guess I'm just a grammar Nazi" leading A to wonder, "not for the first time, why anyone would so proudly declare themselves to be any kind of nazi". Good question Ava
The descriptions Ava gives for the different show room set ups conjured the images for me The Nihilist Bachelor Cube, Coked-out Divorcée, Parental Basement Dweller, Newly Retired Swinger, the goth spinster room and others.
But it’s the compassion that describes these two modern people badly treated and exploited by our society that seems to say a 'better world isn't possible, but a worse on is" when they finally face wy Ava broke up with Jules that tugged my heart.
"“Because I don’t trust you to come back!” Ava hissed. “You always do this. You ignore inconvenient realities like your girlfriend is fucked up in the head and there are giant spiders in other worlds! Then when the problems get too big to ignore, you run.” “ … You dumped me,” Jules said numbly. “Because you never would,” Ava answered. “I would have just woken up and you’d be gone.”
Contemporary horror done well.
As a university student most of my friends have sought furniture from the Swedish founded big box store IKEA, the endless maze of showrooms I find it easy to imagine that there are hidden passages that lead, not to a secret shortcut to an exit, but to another world entirely.
Nino Cipri’s Nebula Award-nominated novella Finna (2020) takes that concept adds to it a timely set of social concerns, ranging from gender identity to the evils of capitalism generally and low-wage retail jobs in particular and wormholes.
The story is that of Jules and Ava to coworkers who are trying to resolve what they are to each other after a breakup. Jules explains to Ava why they volunteered for task. "A soccer mom enlisted me to help harangue her husband into shelling out money for a new bathroom vanity. She managed to misgender me four times in two minutes,” Jules said. They bent down to pick up the books they’d knocked off the shelf. “Two different pronouns, completely ignored my nametag, eventually settled on calling me ‘the kid.’
During one exchange the LitenVärld manager Tricia, (described as “Midwestern manager-class haircut” with blond highlights (could anything indicate a “Karen” more clearly?), practiced plastic facial expressions, and an utter disregard for the wellbeing of the workers she manages" after barely trying and completely failing to address Jules by their preferred pronouns decries 'It's too difficult, I guess I'm just a grammar Nazi" leading A to wonder, "not for the first time, why anyone would so proudly declare themselves to be any kind of nazi". Good question Ava
The descriptions Ava gives for the different show room set ups conjured the images for me The Nihilist Bachelor Cube, Coked-out Divorcée, Parental Basement Dweller, Newly Retired Swinger, the goth spinster room and others.
But it’s the compassion that describes these two modern people badly treated and exploited by our society that seems to say a 'better world isn't possible, but a worse on is" when they finally face wy Ava broke up with Jules that tugged my heart.
"“Because I don’t trust you to come back!” Ava hissed. “You always do this. You ignore inconvenient realities like your girlfriend is fucked up in the head and there are giant spiders in other worlds! Then when the problems get too big to ignore, you run.” “ … You dumped me,” Jules said numbly. “Because you never would,” Ava answered. “I would have just woken up and you’d be gone.”
Contemporary horror done well.
Somewhere between a 3.5 and a 4 but I rounded up. It was a quick, fun, anti-capitalist, queer sci-fi story
Somewhere between a 3.5 and a 4 but I rounded up. It was a quick, fun, anti-capitalist, queer sci-fi story
