Flights: Radicals on the Run

Told through the lives of the American Century's most glamorous and talented dissidents, Flights is the archetypal hero's journey of some eighteen progressives (and one centrist senator) whose struggles for the truth and for freedom from persecution sent them into exiles, both literal and metaphorical. In 1949, the poet Pablo Neruda escaped anti-communist Chile on horseback. Scrambling across Andean rivers disguised as an ornithologist named Antonio Ruiz, he had served as an elected senator in the Chilean legislature. Now he was on the run from the Truman doctrine, hiding in safehouses as a police dragnet closed in on him. While in transit, his masterpiece, Canto General, was printed as samizdat, in secret, with a false dust jacket affixed. A year later, poets George and Mary Oppen crossed into the Sonoran Desert, fleeing from F.B.I. agents who surveilled their house in the L.A. suburbs. They spent most of the 1950s as political refugees in Mexico City, exiled from the United States for their relief work with the Communist Party, to stop evictions during the Great Depression. Before Neruda would win the Nobel Prize in literature and George Oppen would add the Pulitzer Prize in poetry to his World War II Purple Heart, they were refugees from anti-communism. Wanted for a crime she did not commit, Professor Angela Davis went on the run twenty years after the Oppens, describing the struggle against panic in her nightly safehouse transfers: "Living as a fugitive means resisting hysteria, distinguishing between the creations of a frightened imagination and the real signs that the enemy is near." In her quest "to elude him, outsmart him," she recalled, "Thousands of my ancestors had waited, as I had done, for nightfall to cover their steps..." Told through the lives of the American Century's most talented and stubborn dissidents, Flights is the archetypal hero's journey of eighteen progressives (and one centrist senator) whose struggle for truth and freedom from persecution sent them into exiles both literal and metaphorical. With profiles of Paul Robeson, Lorraine Hansberry, Gabriel García Márquez, Graham Greene, Malcolm X, Miguel Angel Asturias, Octavio Paz, Diego Rivera, Arundhati Roy, Guatemalan guerrilla fighter Everado and his American wife, Jennifer Harbury, Nobel Peace laureate Rigoberta Menchú, deposed Honduran President Mel Zelaya and murdered Lenca environmentalist Berta Cáceres, these artists and activists took imaginative and other flight from American oppressors and their allies, from the Truman through Trump presidencies. At once a group portrait of these geniuses of creative escape, Flights is also a prehistory (and indictment) of American mass surveillance culminating in Snowden's revelations, of torture culminating in Abu Ghraib, of censorship culminating in the incarceration of journalist Julian Assange, of fascism culminating in January 6, and of political murder culminating in the Bush-Obama-Trump drone assassination program.