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Moxie Mezcal styles herself as a purveyor of “postmodern pulp fiction” - I'm not well-versed enough on postmodernism to discuss that side of it, but this really is pulp fiction in a classic sense. Murder, obsession, and amateur pornography: this one has the same chilling and thrilling elements that some of the classic pulps did, but updated for a modern audience and told through a slick, punk-rock style.