I Was a Teenage Slasher
Ratings18
Average rating3.7
15
Ratings18
Average rating3.7
From New York Times bestselling horror writer Stephen Graham Jones comes a classic slasher story with a twist—perfect for fans of Adam Cesare and Grady Hendrix.
1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.
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Thanks to Saga Press for the physical ARC. This book has a great design and I’m happy to own one.
This book was a bit of a gamble for me. I was really interested in the blurb, had seen some early reviews that were great including other FanFiFam, but I had read one full length from the author and I hadn’t really gotten along with it. After finishing this and loving it, now I’m wondering if it was simply because I read the other when I was newer to horror. So perhaps a reread of The Only Good Indians is imminent now.
This has to be one of the most unique takes on the Slasher genre. It brings to mind another recent read for me, which was Brian McAuley’s debut, Curse of the Reaper. Where that novel blends Slasher tropes with psychological horror, Jones went completely off the rails and made a slasher memoir. And not just any memoir, but one that takes place within a world where slashers do exist. There’s definitely no wondering here why zombie stories take place in worlds where no one knows what a zombie is, Jones has offered up his teenage slasher all the reference material he needs.
In a kind of self referential nod that felt like Jamie Kennedy’s Randy from Scream/Scream 2, our main character’s best friend Amber is the launch board for all of Tolly Driver’s necessary slasher info. Her brother, a slasher fanatic, has the goods on what’s going to happen, when, how, and maybe even where, not that she’s necessarily going to share all of it. And on the inverse of maybe the ‘why’ zombie worlds don’t know of zombies, this created this really interesting tension where Tolly spends a huge portion of the book not believing what happened to him simply because his real life couldn’t become like the movies. These things existed in his world, but as fiction, they couldn’t possibly become him, right?
The detachment of Tolly from his Slasher self is another really unique dynamic to this novel. The Driver (pun intended), taking over has this supernatural angle to it that starts all the way at the beginning with the blood from the Joss kid. And just like any slasher, revenge is the driving force, right? And while the reader does live through the near death experience with Tolly, it did kind of feel like a somewhat weak reason to go around killing people. However, slashers aren’t usually known for being reasonable, rational, believable even. And it’s within that, that this story lies. There are things that seem extreme, things you’d never believe or assume, but neither did Tolly.
Multilayered and compelling, Tolly Driver is anything but a mindless killer. With notes of coming of age, of finding oneself, with angles of grief and strength, this bleeds through as a love letter to Lamesa and Texas as a whole. And I absolutely loved Tolly’s internal commentary and struggles from the passenger seat. Jones has this way about his writing, this meandering, sometimes longwinded, sometimes unconventional sentence structuring, that just lends itself so well to someone telling their own story. And, I think, especially someone trying to remember it as well. It had this really nice stark contract to another read of mine at the time, Deep Freeze by Michael C. Grumley, which had such short chapters to enhance its pace that there were over 100. Jones instead, uses long winding pieces of each day to show just how much Tolly was really going through, both trying to stop it, and failing miserably.
Poetic and heart breaking, the final 15 pages of this may break you.
I got this as a free audiobook and while I liked the premise of the story, it didn't capture my attention.
My summer has been all shark and slasher vibes, which sometimes are the same thing, so this book was an ideal read for my Summer 2024. I loved how Mr. Jones played with the slasher/final girl tropes. And, honestly, made them make so much more sense to me. And the end!
I feel so conflicted about this one. I loved the beginning of the book and the ending. Both gave full 5 star vibes for me. The middle part though... hmm... I really don't know... Some parts were so confusing to me. It was like I lost my English knowledge. I knew what all the words meant on their own but they didn't make sense bundled up together. I'm not sure if it was the writing style of Stephen Graham Jones (this being the first book I read by him) or slang of the time or something to do with me... It was most prevalent in the "action" scenes. I just couldn't keep up with what was happening... But all the things I could keep up with, I absolutely loved!
So yeah what to rate this... After half a day of consideration I settled on a good 3.5 stars. Which is really mostly coming down to the ending which totally got me. So everything less than a 3.5 just felt wrong. But with how much I struggled to get through it (never felt like such a slow reader than with this) anything above also felt wrong...
