It's a Wonderful Woof

This originally appeared at The Irresponsible Reader.
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WHAT'S IT'S A WONDERFUL WOOF ABOUT?
Someone comes to the Little Detective Agency to hire them, but it's just not the kind of case that calls for Bernie's strengths, but he knows just the right guy for the job, Victor Klovsky. The two had recently run into each other on different cases, and Bernie's been reminded that Victor isn't cut out for the more, shall we say, physically demanding cases—but he's great at the stuff you can do behind a desk, which is what this case calls for.

Also, I think Bernie feels sorry for the guy and thinks he can do him a favor by sending work his way to make up for the way things went during that recent encounter.

You know what they say about roads and best intentions, though. It's not long before Victor has gone missing—a very concerned mother (who has less confidence in his abilities than Bernie does) hires Chet and Bernie to find him. It turns out that not only Victor is missing, but his client is, too.

There's nothing about this case that suggests a cushy desk job anymore—a strong sense of violence surrounds the disappearances—and other elements of the case as it develops. Can Chet and Bernie sniff out what happened to them, and what the relationship is between these disappearances, Mary and Joseph fleeing to Egypt, Caravaggio, and an old Spanish mission?

RELATIONSHIP ISSUES
This is news to no one that has read one book in this series, but Bernie's not good at relationships. Expressing himself to a woman he cares about is not a skill he possesses (I'm sure Chet would differ with me here, but I stand by it).

His current relationship is still pretty new—and seems to be going pretty well. But that's all stuff that happened since Tender is the Bite. It doesn't take him too long to mess things up with Weatherly. Both his reaction to this throughout the novel and the way it started felt different than the way he'd put his foot into it with Suzi (but not completely). The relationships between Bernie and the two women are notably different—which is a relief, too often in situations like this it feels like a duplicate of a previous romance.

A VERY BERNIE CHRISTMAS?
It would be very easy to forget that this is a Christmas/Holiday Themed novel—I did more than once, and I was expressly looking to see how Quinn dealt with it.

However, when the holidays do come up? It's great. There's a Hannukah scene that I just loved, and...well there are a couple of great other scenes about the holidays, but my no-spoiler policy stops me from getting into those.

LANGUAGE CHOICE
This isn't a big deal—I don't want to make a proverbial mountain out of anything. But it struck me that Bernie's language is a bit stronger than usual. I don't want to take the time and do word counts or anything—I'm lazy and I'm not going to buy e-copies just to document this point. This book is still PG-13, but it jumped out at me and struck me as different—and I'm curious about it.

SO, WHAT DID I THINK ABOUT IT'S A WONDERFUL WOOF?
I had a blast with this—there was a time 5 or 6 books ago, that my interest in the series waned a bit—I still enjoyed the books, but they didn't grab me the way the initial novels did. That's gone, and I have to wonder what was wrong with me—Quinn and Chet are as fresh and entertaining now as they were in Dog Gone It.

There's heart, there's excitement, there's humor, there's the devotion that only a dog can have for their human, and you even can even learn a little bit about art history. Throw in a little holiday magic and you've got yourself another winner in this series.

Go read this—which readers of this series probably don't need me to say. But if you haven't read any before, this functions well enough as a jumping-on point, just be prepared to make some time for the previous 11 novels. You're going to want to read them all.

Disclaimer: I received this eARC from Macmillan-Tor/Forge via NetGalley in exchange for this post—thanks to both for this.