Ratings14
Average rating4.2
The #1 New York Times bestseller from Walter Isaacson brings Leonardo da Vinci to life in this exciting new biography that is “a study in creativity: how to define it, how to achieve it…Most important, it is a powerful story of an exhilarating mind and life” (The New Yorker). Based on thousands of pages from Leonardo da Vinci’s astonishing notebooks and new discoveries about his life and work, Walter Isaacson “deftly reveals an intimate Leonardo” (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo’s genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history’s most creative genius. In the “luminous” (Daily Beast) Leonardo da Vinci, Isaacson describes how Leonardo’s delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance to be imaginative and, like talented rebels in any era, to think different. Here, da Vinci “comes to life in all his remarkable brilliance and oddity in Walter Isaacson’s ambitious new biography…a vigorous, insightful portrait” (The Washington Post).
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Isaacson himself narrates the introduction and conclusion, with the rest narrated by a Britsih-accented reader. An odd choice, I thought, although maybe he won the job based on his Italian, which sounded quite good. In any case, the book was fascinating, and I learned a great deal about both Leonardo and the Italian Renaissance. Not surprisingly, though, given that the subject died 500 years ago, there is a lot that is uncertain about Leonardo and his work, but that doesn't prevent Isaacson from speculating. While the speculation is always credible, it's still unsettling.
Listening to the audiobook, one doesn't have at hand the wonderful illustrations. There is a pdf of the illustrations available for downloading, but still if you're listening on the go you can't consult that document. I also borrowed the physical book from the library so I could see the illustrations there.
Walter Isaacson never disappoints. Although I had to be especially concentrated with the amount of detail described in each page.
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4 books