Prodigal Summer

Let's get this out of the way upfront: this book isn't going to be to everyone's taste, and that's okay. Prodigal Summer is three intertwining stories in one, with three primary characters. Chapters are told from each of their perspectives, more or less alternately; they all take place in the same area and sometimes affect each other, but interactions between stories are strictly on the fringes.

This is not a book with a complex narrative. It concerns rural Zebulon County, which according to Wikipedia doesn't actually exist – that's okay, it's a stand-in for rural farming counties all over – and families who live in it, and their relationships with nature and with each other. The three perspectives belong to Deanna, a wildlife-loving park steward; Lusa, a city girl who married into a farming family before the narrative opens; and Garnett, a cantankerous old man in an ongoing row with his neighbor. My favorite was Lusa, my least favorite Deanna; I'm sorry to say my interest in Deanna never did grow much. The others I enjoyed steadily.

It's so difficult to know where to begin describing Prodigal Summer. It's about families, writ small, and ecology, writ large. The stories are simple, but affecting. The prose is thoroughly Kingsolver, richly written; one earlier reviewer described it as “a book to feel,” and I think that's a perfect description. The cover art is perfectly suited: this is a novel about abundant, exuberant life.