Racism and Society
Ratings2
Average rating4.5
15
Ratings2
Average rating4.5
From Publishers Weekly
Starred Review. About halfway into Powers's follow-up to his National Book Award–winning The Echo Maker, a Nobel Prize-winning author, during a panel discussion, talks about how genetic enhancement represents the end of human nature.... A story with no end or impediment is no story at all. This then, is a story with both. Its hero, at least initially, is Russell Stone, a failed author of creative nonfiction turned reluctant writing instructor who cannot help transmitting to his students something of his flagging faith in writing. One of them, a Berber Algerian named Thassadit Amzwar, is so possessed by preternatural happiness that she's nicknamed Miss Generosity by her prematurely jaded classmates and has emerged from the Algerian civil war that claimed the lives of her parents glowing like a blissed out mystic. After Stone learns that Thassadit may possess a rare euphoric trait called hyperthymia, her condition is upgraded from behavioral to genetic, and Powers's novel makes a dramatic shift when Thassadit falls into the hands of Thomas Kurton, the charismatic entrepreneur behind genetics lab Truecyte, whose plan to develop a programmable genome to regulate the brain's set point for well-being may rest in Miss Generosity's perpetually upbeat alleles. Much of the tension behind Powers's idea-driven novels stems from the delicate balance between plot and concept, and he wisely adopts a voice that is—sometimes painfully—aware of the occasional strain (I'm caught... starving to death between allegory and realism, fact and fable, creative and nonfiction). Like Stone and Kurton, Powers strays from mere record to attempt an impossible task: to make the world right. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Reviews with the most likes.
Richard Powers' writing prowess is a delight. So while I have complaints that strike to the heart of the novel, they seemed trivial in the face of the most powerful prose I've read in a long time. Generosity is one of the tightest novels I've ever read. Every sentence is honed to perfection - imagery, flow, scanning, and purpose in the overall story. His commentary is both timely on the matters of genetic engineering, the growing expanse of the internet and culture globalization and timeless on the matters of what it truly means to be happy and what we should be searching for in life, any way. The research is also impeccable, down to the percentage of the human genome that is patented as of his writing.
The flaws? The first is the title, and overall the theme of “generosity” - I know that Powers is using it for the wordplay potential, in that Genetics and Generosity share a Latin root; however, Congeniality might be a better bang for the same pun-based buck. Nowhere does he show that Thassa is generous, despite her label of “Miss Generosity.” In fact, the primary flaw is that he does not really show Thassa, the congenitally happy woman, to be much of anything at all. So while other characters run about fawning over her, the reader is still struggling to “get it.”
In a lesser writers hands, these flaws would be fatal. In Powers' case it's merely an annoyance, in an otherwise superb novel.
I call myself a big Richard Powers fan. I've only read one Powers book, but it was a wham-doozy. I often list it on my favorite all-time reads. It was brilliant, with clever word play and subplots that intertwine and characters who are—very strange—scientists and stories about human genes and computers, none of which I really know much about. It was fun and unexpected and, really, brilliant.
And now I've finally completed my second Powers, though, truth be told, it was actually a listen not a read.
So what do I think? Am I still a raving Powers fan?
I'd say this one, though it began and proceeded with a powerful hit, would not quite ring my bell. I was waiting for the big, wonderful final ending that tied everything together and it didn't happen. Or, possibly, it did happen, but it was so over my head that I just didn't get it. I don't want to give away the whole story (stop here if you are worried about spoilers) but I didn't really understand our main heroine's meltdown. What does that say?
I imagine that I will reflect on this a little more (always the sign of a good book).
