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WINNER OF THE SCOTIABANK GILLER PRIZE NATIONAL BESTSELLER A PENGUIN BOOK CLUB PICK A hilarious, surprising and poignant love story about the way families are invented, told with the savvy of a Zadie Smith and with an inventiveness all Ian Williams' own, Reproduction explores unconventional connections and brilliantly redefines family. Felicia and Edgar meet as their mothers are dying. Felicia, a teen from an island nation, and Edgar, the lazy heir of a wealthy German family, come together only because their mothers share a hospital room. When Felicia's mother dies and Edgar's "Mutter" does not, Felicia drops out of high school and takes a job as Mutter's caregiver. While Felicia and Edgar don't quite understand each other, and Felicia recognizes that Edgar is selfish, arrogant, and often unkind, they form a bond built on grief (and proximity) that results in the birth of a son Felicia calls Armistice. Or Army, for short. Some years later, Felicia and Army (now 14) are living in the basement of a home owned by Oliver, a divorced man of Portuguese descent who has two kids--the teenaged Heather and the odd little Hendrix. Along with Felicia and Army, they form an unconventional family, except that Army wants to sleep with Heather, and Oliver wants to kill Army. Then Army's fascination with his absent father--and his absent father's money--begins to grow as odd gifts from Edgar begin to show up. And Felicia feels Edgar's unwelcome shadow looming over them. A brutal assault, a mortal disease, a death, and a birth reshuffle this group of people again to form another version of the family. Reproduction is a profoundly insightful exploration of the bizarre ways people become bonded that insists that family isn't a matter of blood.
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This Giller shortlisted book opens with 23 sections, alternating between 19 year old Felicia Shaw from an undisclosed Caribbean island and Edgar Gross, an affluent, middle-aged German, heir to some vague family interest. They meet in a shared hospital room, tending to their respective mothers who are both near death.
The 23 sections represent the number of chromosome pairs found in DNA. From there the novel begins to reproduce. Part 2 jumps ahead a few years and we alternate between 4 voices times 4 to make 16 sections. Part 3 is comprised of 16x16 or 256(!) sections. The book can't keep up with this exponential growth and finally develops cancer. Super- and sub-script words insinuate themselves across the page, telling a familiar yet disjointed story. Explaining it seems altogether too much but I enjoyed the constraints Williams placed on the structure.
Williams has a poet's ear for language. He nails the privileged white guy apologist in the crosshairs of the #MeToo movement; the fast talking, big dreaming, bi-racial tween hustler working from the garage of his landlord's garage in Brampton; to the out-of-step, Portuguese, suburban, divorced dad that can't quite reconcile his long past glories with his present day indignities. Multiculturally, unapologetically Canadian.
Both slyly funny and casually devastating, it pokes at the idea of nature vs nurture, asking if we can ever hope to escape our own histories, and exploring both the family you're born into and the ones you make.
TL;DR - just watch the video review: https://youtu.be/7xQv7F8tiMQ