Tell Me One Thing

Tell Me One Thing by Kerri Schlottman is a novel of literary fiction. The book description from the publisher describes it best: “Outside a rural Pennsylvania motel, nine-year-old Lulu smokes a cigarette while sitting on the lap of a trucker. Recent art grad Quinn is passing through town and captures it. The photograph, later titled “Lulu & the Trucker,” launches Quinn's career, escalating her from a starving artist to a renowned photographer. In a parallel life, Lulu fights to survive a volatile home, growing up too quickly in an environment wrought with drug abuse and her mother's prostitution. Decades later, when Quinn has a retrospective at the Whitney Museum of Art and “Lulu & the Trucker” has sold at auction for a record-breaking amount, Lulu is surprised to find the troubling image of her young self in the newspaper. She attends an artist talk for the exhibition with one question in mind for Quinn: Why didn't you help me all those years ago? Tell Me One Thing is a portrait of two Americas, examining power, privilege, and the sacrifices one is willing to make to succeed. Traveling through the 1980s to present day, it delves into New York City's free-for-all grittiness while exposing a neglected slice of the struggling rust belt.”

Quinn Bradford eventually becomes successful as a photographer, but she can't seem to shake the knowledge that maybe she could have helped Lulu instead of photographing her. As Lulu grows into an adult, she often wonders herself why Quinn didn't do something to help her. This novel explores both women's lives that splinter from the moment Quinn snaps the Polaroid of 10-year old Lulu sitting uncomfortably on a trucker's lap while she holds a cigarette, his grubby hands wrapped around her waist. Both women struggle in their own way: Lulu within the drug-addled community of her childhood and Quinn living the life of a poor artist who many take advantage of. They both live long lives filled with loss and love, but only Quinn rises above poverty to become famous.

Schlottman deploys a dual timeline for both women and their lives are depicted with pathos and levity, the grim nature of poverty revealed as well as the joy of finding souls who bond through love and suffering. Once the photo of “Lulu and the Trucker” is taken and both of their lives are revealed separately, this one question remains: how will their two timelines come back together? There is an obvious way that they could merge, but Schlottman wisely avoids this tactic. The ending seems to me to be well-earned and true, a fitting end to a fantastic novel. Keep an eye out for Kerri Schlottman. She has a great literary career ahead of her.

I really enjoyed this novel and I highly recommend it. I would give this book 5 stars.