Ratings83
Average rating4
Edith Wharton's most famous novel, written immediately after the end of the First World War, is a brilliantly realized anatomy of New York society in the 1870s, the world in which she grew up, and from which she spent her life escaping. Newland Archer, Wharton's protagonist, charming, tactful, enlightened, is a thorough product of this society; he accepts its standards and abides by its rules but he also recognizes its limitations. His engagement to the impeccable May Welland assures him of a safe and conventional future, until the arrival of May's cousin Ellen Olenska puts all his plans in jeopardy. Independent, free-thinking, scandalously separated from her husband, Ellen forces Archer to question the values and assumptions of his narrow world. As their love for each other grows, Archer has to decide where his ultimate loyalty lies. - Back cover.
Reviews with the most likes.
Qué bonito y qué triste!
Me quedo con la forma de describir escenas y sentimientos de la autora. El argumento no me ha terminado de enganchar, pero sin duda querré leer otros libros de Edith Wharton.
A pesar de no ser mi tipo de libros favorito, la descripción de los personajes tan detallada y esa habilidad par hablar de sus sentimientos ha conseguido que sufra con ellos y que, a pesar de no tenerme enganchada, haya medio lamentado que llegue el final del libro... difícil de explicar!
Wow, that ending.
It was just as frustrating as the world that Newland Archer lives in. His eldest son, Dallas, couldn't have put it any better.
"You never did ask each other anything, did you? And you never told each other anything. You just saw and watched each other, and guessed at what was going on underneath. A deaf-and-dumb asylum, in fact!"
Then, Newland Archer took his cue solely from the fact that the Countess Olenska's manservant kept the balcony awnings and closed the shutters - and left after thirty years of not seeing her. I'm just blown away.
Overall, this was a great book examining the slowly cracking facade of the New York social scene, and the interface between the generation obsessed with Society and the museum-like superficiality that its participants needed to live every aspect of their lives with, and the one that throws these things to the wind. Amazingly and intricately written, it was an engaging read that kept me going page after page, despite a lack of “action” in its traditional sense.