The Cipher

The Cipher

1991 • 356 pages

Ratings16

Average rating3.4

15

“It's so easy to be nothing. It requires very little thought or afterthought, you can always find people to drink with you, hang out with you, everybody needs a little nothing in their life, right?”
― Kathe Koja, The Cipher

This is Weird Fiction with body horror. The story revolves around some repulsive hipster artists/poets who are drawn to the weird and the ugly. Ex-lovers Nicholas and Nakota discover a supernatural black hole, a “funhole.” Angry, aggressive Nakota is obsessed with the phenomenon. But it all seems to revolve around Nicholas, who is passive, apologetic, and submissive. As he voluntarily spends more time around it, he mutates. The pair draw followers, other failed artists who become fascinated with the hole and see it as some kind of “movement.”

This tale takes a long time to build and does not really satisfy. We spend a lot of time with the characters obsessing over the hole (and a video taken inside the hole) but not really doing anything. The cheap, sad, squalor increases as the story goes on. These frustrated characters make no attempt to be productive or find some type of fulfillment. We see the story from Nicholas' point of view, and though it is hard to like him as such, he does make humorous observations and is sympathetic in his way.

I'm assuming the funhole is supposed to have some deeper meaning, not just be a “monster” in this horror book. Possibly, the hole symbolizes some emptiness in Nicholas and in everyone? Or maybe his destructive, one-sided attachment to Nakota? Or possibly the frustration of all these characters who are searching for some greater meaning in their art but not finding anything. A Picture of Dorian Gray for the Gen-Xer set? These were interesting ideas to think about, and I'm glad to have read the book but something is missing for me, some connection or excitement I would expect from a horror story.

April 24, 2020Report this review