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"The Goldfinch is a rarity that comes along perhaps half a dozen times per decade, a smartly written literary novel that connects with the heart as well as the mind....Donna Tartt has delivered an extraordinary work of fiction."--Stephen King, The New York Times Book Review
Composed with the skills of a master, The Goldfinch is a haunted odyssey through present day America and a drama of enthralling force and acuity.
It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.
As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle.
The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.
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Reviews with the most likes.
If you're expecting a book with a clear "point" or philosophical message, this might not be the book for you.
That being said, this is an excellent book from a storytelling perspective. Seeing Theo's entire life journey unfold really makes you care about both him and the other characters. I will definitely re-read this just to relive the story again.
Mostly when I read books I have some sort of idea where the author is going and what point they are trying to make, but not with this book. It just seems to meander on and on. I felt I had to finish it but was left with a disapointing sense of ‘Is this really it?' I don't have a problem with depressing books or emotionally scarred protagonists but I didn't really find this book had much of an emotional resonance, perhaps because I found the narrator quite annoying, particularly with the ham-fisted philosophy. Theo didn't develop as a character, he just seemed to stay 13 in my head, probably because of all the drug taking. It ended up feeling a bit like reading a rather pretentious YA novel with added drug addiction.
Enjoyed, Boris was the highlight for me as I'm sure was the same for many others.Although I did struggle with some of Theo's streams of consciousness, and found them slightly too waffly and drawn out. But overall some great themes and lessons learnt by Theo.
I think this was my first fictional autobiography. It dragged a bit, in places, but overall it was an interesting and (mostly) entertaining read. But, y'know? The end really grated. The whole thing was full of soooo much angst, and in the end? All wrapped up so nicely and neatly and positively and innocently and legally. And annoyingly.