Ratings2
Average rating4
Hitler has been defeated and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest: his search for Lena, the married woman he left behind. The Good German is a story of espionage, love, and murder, an extraordinary re-creation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice and what we mean by good and evil in times of peace and of war.
Reviews with the most likes.
In the immediate aftermath of World War II, the victorious Allies found themselves trying to figure out how to deal with a very messy situation. There were a few obvious evildoers that were put on trial and executed, but what to do with the vast majority of German people who were on some level complicit with Nazi rule but didn't really do anything? And what about people who might have been more directly involved with the machinery of the Nazi state but have something valuable to offer? Joseph Kanon's The Good German is deeply steeped in these hard, serious questions, which serve as background to a complicated romance and a twisty thriller, both centering on American journalist Jake Geismar.
Geismar arrives in Berlin to cover the Potsdam Conference, but he's not new to the city. He lived and worked there for years, including the early years of the Nazi regime, before the war. His assignment might be to cover Potsdam, but he's really there to find Lena, the beautiful married woman with whom he was having a passionate affair before he left. But before he can find her, he finds something else: a young American soldier, floating dead in a lake with a bullethole through him and thousands of dollars still on him. His investigation of the dead man leads him back to Lena, but along with Lena come questions about her husband, Emil. Emil, a literal rocket scientist, has vanished and both the Americans and the Russians are very, very interested in what might have happened to him.
I've always enjoyed books that go right for the kind of moral relativity that can be very uncomfortable to contemplate, and The Good German is rife with it. Who is the titular good German anyways? Is it Lena and the thousands of others like her who tried to live their lives as normally as possible, pretending they didn't know what was happening, not speaking out or acting out against the regime but not really having done anything affirmatively to participate in it either? Is it someone like Emil, who did have more active participation but has skills that can help the victors achieve great things? Is it Emil's father, an academic who dropped out of public life with the rise of the Nazis but didn't do anything to actively resist? What about the former detective, very much a part of the Nazi state, but who helped his Jewish wife survive until she was spotted by someone else, and providing testimony against the woman who betrayed his wife to her death? Is there one at all?
I enjoyed the book and would recommend it. It sounds like kind of a “dad book” (WWII-era, thriller, older male protagonist) but it's quite good. Kanon draws interesting characters and puts them into difficult situations, and with the thriller elements there's a nice balance of plot and character. I did get a little confused near the end trying to keep track of who was on what side and who was double crossing who, but on the whole the book was involving and prompted a lot of thought. I tend to be a little wary of World War II books because I feel like a lot of them go over the same territory again and again, but this one was a new take (for me, anyways), and is very much worth a read.