The Love Song of Jonny Valentine
Ratings2
Average rating3.5
15
Ratings2
Average rating3.5
One of the most critically acclaimed books of the year, Whiting Award-winner Teddy Wayne’s second novel is “more than a scabrous sendup of American celebrity culture; it’s also a poignant portrait of one young artist’s coming of age” (Michiko Kakutani, The New York Times)—and an enduring yet timely portrait of the American dream gone awry. In his rave on the cover of The New York Times Book Review, Jess Walter praised Wayne’s writing for its “feats of unlikely virtuosity” and the boy at its center as “a being of true longing and depth, and…a devastating weapon of cultural criticism…You’d have to be made of triple platinum not to ache for Jonny Valentine.” With “assured prose and captivating storytelling” (Oprah.com’s Book of the Week), The Love Song of Jonny Valentine also showcases “one of the most complicated portrayals of the mother-son relationship since Room” (BookPage). Touring the country in a desperate attempt to save a career he’s not sure he even wants, Jonny is both driven by his mother’s ambition and haunted by his father’s absence, constantly searching for a familiar face among the crowds. Utterly convincing, whip-smart, yet endearingly vulnerable, with an “unforgettable” voice (Publishers Weekly, starred review), the eleven-year-old pop megastar sounds “like Holden Caulfield Jr. adrift in Access Hollywood hell” (Rolling Stone). Called “a showstopper” (The Boston Globe), “hugely entertaining” (The Washington Post), “heartbreakingly convincing” (People), “buoyant, smart, searing” (Entertainment Weekly), and “touching and unexpectedly suspenseful” (The Wall Street Journal), this extraordinary novel has been widely embraced as a literary masterpiece and the rare “satire with a heart” (Library Journal, starred review).
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For as long as there have been child stars, it seems, there have been child stars gone awry. One of our most recent examples is Justin Bieber, and it's obvious who was the inspiration behind the protagonist of Teddy Wayne's The Love Song of Jonny Valentine. A preteen singer with a trendy haircut, discovered on social media, with a mother who manages his career, Jonny is on his second nationwide tour when we meet him. It becomes clear pretty quickly that for all his stardom, Jonny is actually very lonely: besides his mother (whose “momager” position means that her monetary interests are bound up in what's best for Jonny's career, not necessarily what's best for Jonny, and who he refers to by her first name, Jane), his closest confidants are his tutor and his bodyguard.
Jane keeps a very close eye on Jonny's access to the internet, and it's this that kicks off the action: one night when she's out, he sneaks into her hotel room to read about himself. And it's there that he finds a message from a man claiming to be his long-lost father. As his tour continues, Jonny tries to figure out if the commenter is really his father (and what to do if he is), watches his mother struggle personally and professionally, has his own professional struggles, negotiates a fake date with a fellow preteen star, and breaks out of his cloistered bubble a little when a 20something rock band becomes his new opening act.
This sounds like a lot of plot, especially when you're talking about a 300 page book, but Wayne handles it well. Part of the reason he's successful is the way he structures his book: with sections for each day of each stop on the tour, it keeps a constant sense of propulsive motion forward, building naturally towards the climax, the final show. A bigger part of the reason the book works is the voice he creates for Jonny. Simultaneously hopelessly naive in the way that 11 year-olds should be, and cynically jaded about his career and the industry in which he works, there's a tricky balance Wayne pulls off, making Jonny neither a complete sap nor completely bitter.
Some of the themes are handled in a way that's a little too on-the-nose: Jonny's coming-of-age is symbolized by his attempts to figure out how to successfully jack off, and his tutor assigns him a unit on slavery in a clear attempt to draw the parallels with Jonny's situation to both the singer himself and, of course, the reader. And while the story is about Jonny, from his own perspective, I actually found Jane the most interesting character and wish I'd gotten more about her. But having too many interesting and well-rounded characters is a good problem for a book to have. I really enjoyed this book and would definitely recommend it!
Johnny Valentine, the 11-year-old pop sensation, desperately wants to reach adolescence (probably not all that different from others his age) – but he's very, very aware what that will do to his voice, his appearance – overall, his appeal to the tween and teen demographics. And he's counting on it, if he doesn't sell more to teen girls, he's sunk. His career is dead.
That's not the only part of his life that he sees in marketing terms. His haircut, the amount of fat and calories he consumes, his video gaming, exercises, amount of sleep – everything is micromanaged to the nth degree by his mother/manager, studio, vocal coach, and, to a lesser extent, his bodyguard (the closest thing her has to a friend). Everything he thinks, everything he wears he runs through a mental calculus wondering what it'll do for sales, social media exposure, ticket sales, etc. How anyone can deal with this all, much less a near-adolescent, is unfathomable.
Honestly, ticket sales and record sales have dropped off a little for this phenom, so the record company begins to take a more hands-on approach to things – inventing news stories, coming up with a new media relations plan, etc. etc. And Johnny's life becomes a little harder.
At the core of this story though, is a little kid, who just wants to be a little kid. He wants his mom to be more of a mom than a manager, he wants to spend time with his best friend from before he made it big, he wants to screw around and play. At the end of the day, I feel more pity for Johnny than I did for Auggie Pullman from [b:Wonder|11387515|Wonder|R.J. Palacio|https://d202m5krfqbpi5.cloudfront.net/books/1366213431s/11387515.jpg|16319487].
Most of the observations/comments on/critiques of celebrity culture that are given here, are things we've all seen or made ourselves. But by putting them into the mouth and head of a kid, rather than an outsider adult, makes it all so much more effective.
Darkly comic (not terribly funny, though), insightful, sympathetic. A worthwhile read.
N. B. just because this is about an eleven-year-old, don't for a second think this is appropriate reading material for that age. This isn't MG, this is written for an adult audience.
