2 1/2 stars.

Started out good but at the halfway point it started to drag on and become more silly.

1½ stars because there were a few times I thought, NOW it's getting good, but it never amounted to anything, so since the whole story was annoyingly bad, I'm rounding it down.
No more Jo Nesbø for me.

2½ stars.
Sorry to say that it dragged on at times, without any hint to as to where it might be going. I like surprises as much as the next guy, but I also like to play/guess along.
The extra ½ star is because it started to pick up at about 3/4 through.

Dybt (sort)humoristisk, rørende, vredesfremkaldende.
Enhver politiker skulle tvinges til at læse den.

Kinda cute, I guess, though I didn't get any deeper meaning from it. Seemed like it was just being weird for weird's sake.
It was fun with the illustrations and differently coloured pages, but overall I can't really recommend it.

Achingly beautiful and well-written.
The language is simple, yet still evokes emotions and vivid, mental images.
The young longing, and the fear of not being able to live authentically is spot-on.
Held it together for most of the book, but the last few pages had me bawling.

It's not that it's badly written or wrong, it's just that it isn't very deep.
You can find better write-upos about horror movies for free online.

Oh, there's one glaring mistake: The author says that Quarantine, the remake of [REC], is just as good as the original. That's objectively wrong.

Fine little book, even if it reminds me of an update of Firestarter (though it's much better than that book).
It's maybe not for people who can't handle kids in peril, but there isn't any horror or gross-out scenes, so most people should be able to enjoy it.

Martha Christensen skrev altid følsomt og præcist om mennesker, også i denne lille roman, om et barn der alt for tidligt er tvunget til at blive voksen.

Interessante idéer med creepy undertoner, men alligevel kommer historien ikke helt op at ringe.
Dog er der nok af uforudsigelighed til, at man gerne fortsætter med at læse.

Idéen om to homoseksuelle i begyndelsen af 2. Verdenskrig er interessant. Men sproget er for klinisk og for snørklet, og man føler aldrig rigtig kærligheden eller angsten.