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5,930 booksWhen you think back on every book you've ever read, what are some of your favorites? These can be from any time of your life – books that resonated with you as a kid, ones that shaped your personal...
I admit to skimming a fair amount here. I read relevant chapters that were more generalized instead of the ones that focused on Leon Black's ascendance. Even with research, some of the financial mechanisms were over my head. Still, great book, paints a fairly grim picture though of financial exploitation. I think my biggest complaint was as a layperson, I didn't feel significantly prepared to understand the PE playbook and how a lot of these transactions work. I would have appreciated some more background there, general discussion and overview of specific events that occurred.
I have a lot of personal investment here; the ideas presented in this book are ones that I've been in agreement with for years, namely, that noise pollution (especially at night) is on the rise, and that preventing hearing loss suffers from a societal lack of awareness, regulation, and incentive. I think there's a general idea that this falls into common sense, but I'd argue that awareness of noise pollution and hearing damage is scant.
I assert that:
- People don't take hearing loss seriously - and thus do not take hearing protection seriously either. The lack of earplugs or even consideration of them at concerts, mowing the lawn, industrial environments, etc. I have personally experienced the following mindsets in my personal life:
Friends who don't think you need hearing protection shooting outdoors as long as "it's just a .22."
Friends who don't wear earplugs at concerts because "Well my hearing's already shot."
Friends who don't wear hearing protection while mowing because "it's not that loud."
- The general sentiment of hearing loss is the idea of flat volume reduction, akin to aging, instead of more complex damage (that this book illustrates).
- The general misunderstanding of decibel volume as a linear scale, as opposed to logarithmic, and the reduction/halving of safe exposure time when volume increases.
- Reactive changes versus proactive changes in establishing standards that relate to noise (and enforcement and regulation.) Fundamental cultural shifts are needed to express that noise is not just a decibel reading, and that types of noise are just as important. The book refers to this as "cultivating better soundscapes" (L. 1887 ) and it's a major point in later chapters that noise control is not just about creating absolute quiet but crafting what sounds people do and don't want to hear and the appropriate situation to engage with them. The idea of "high sonic quality" as a more important factor for noise in human perception than flat volume is brought up many times in this book, based on survey data from a variety of populaces, environments, and situations.
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It's very confusing to me that the general populace seems so unaware of noise, as the author describes, maybe they have better or worse filtering than I do (and I hope I have protected my hearing as much as possible), but the number of times I've had conversations with people explaining that night is simply "quieter" and them not understanding makes me think that there's some level of noise pollution that people other than me are better at blocking out on a regular basis.
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There's also the elephant in the room, in my mind, for our United States readers: Automobiles.
The extreme noise of automobiles, and the consistency of its presence, is an ever-growing problem in our environment, especially as it relates to the lack of discrete noise regulation for neighborhoods that border busy streets, highways and roads. As outlined in Chapter 4, residents who live in neighborhoods that are disproportionately affected by industrial automobile traffic typically have very little recourse to solving that problem once it exists. There was a key takeaway point in this chapter that highlights that road effects are far harder to combat once they are established, especially if said road is primarily used for traffic supporting industry (because then you're fighting commercial interests to maintain that roadway and sunk cost of continuing to do business). Furthermore, this seems to be a common major disruption regardless of environment or income status, as outlined in Chapter 9 when the author highlights survey results showing vehicular noise being detrimental 55% of the time on surveys in various urban environments.
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Other Interesting Parts:
Chapter 4: The Noise Gap - Sound Pollution and Environmental Justice
Really good chapter. The author is making a casual link between industry pollution, racism, city planning, automotive pollution, and invasive noise. It's a weak link, only in that the assertion that one follows the other is a given. The author has the right message, but any one of these is worth a deep dive into. The exposition around neighborhood redlining is informative and necessary, and the author does a great job of explaining how a 1930's decision continues to have lasting downstream effects.
Chapter 5: Sensory Smog - Nature is Listening
Probably my favorite chapter -- especially the parts about the work the NPS is doing to preserve soundscapes and measure noise pollution by humans on nature. I found the comparison to wildfire when evaluating seedling drop rate in forests from noise to be very interesting.
Chapter 6: Beyond Noise - A World of Unbounded Sound
Specifically, the section titled "Beeps, Bleeps, and Bubbles", which investigated the evaluation process for creating idling and movement noises for London's electric bus system (you can hear these noises and get a deeper dive from this video: https://youtu.be/xINOfbdY8-g?si=Gtgc_xoCY6FHxdqK)
I'm the biggest hater.
If you're the kind of person who rolled their eyes in the Martian movie trailer when Matt Damon said "I'm gonna have to science the shit out of this", you're in a for a bad time with this book.
It gets even more cringey, with choices like:
Yay! More oxygen!
[...] designed to work against technical faults, not deliberate sabotage (bwa ha ha!)
Fear my botany powers!
Yeah, that's right Mars, I'm gonna piss and shit on you. That's what you get for trying to kill me all the time.
"Kilowatt-hours per sol" is a pain in the ass to say. I'm going to invent a new scientific unit name. One kilowatt-hour per sol is... it can be anything...um... I suck at this... I'll call it a "pirate-ninja"
Mark Watney is absolutely insufferable as a character, and only described through execution of snark, not the heavy mental load of an astronaut stranded on a foreign planet. They should have left this guy on Mars.
There are maybe... three or four times where the actual emotional state of Mark is discussed. There's a tantrum, a couple mentions of "fear" and "uncertainty" and ... that's it. The rest is numerical facts (not calculations, just numbers and units) for "scientific credibility", I guess.
Fortunately, the supporting cast of characters, that is, everyone not on Mars, are more reasonable and don't seek to fill every moment with jokes.
Reading this after reading the real-life log entries of Arctic and Antarctic exploration in the form of Endurance or Empire of Ice and Stone was such a shock to the system - those log entries show the hardened consummate professional sailor, much like The Martian, trapped in a hostile, uncaring alien land, facing starvation, and the tone could not be more different. I know they are intended for different audiences but The Martian loses that element of immersion from having an unbelievable character contrasted to the logs of similar non-fiction counterparts.
An interesting tale - cautionary, of letting your imagination always get the best of you.
The characters in our story are constantly, almost instinctively, driven by expectations that do not mirror reality, even when presented with cold facts and their situations, they routinely dream up new fanciful scenarios.
This is not just Emma, Leon does this, Charles does this. Emma is certainly the main culprit, but there are other examples. Often, almost assuredly, these failed flights of imagination come crashing down and our characters are placed in situations where they are far worse off than where they started.