Ben Saufley
Pretty far outside my wheelhouse and the "spicy" scenes were prolonged and graphic, which I don't judge it's simply not what I read books for, but the relationship was absolutely charming and as a soccer fan I had a lot of fun with the setting—it's also clear the author is immersed in the woso world for a bunch of reasons, and that added to the authenticity. Very fun read.
Boy, people like to make fun of fantasy books for their emphasis on world-building but that's basically all that happened here. A simple scenario plays out with endless flashbacks explaining the life stories of everyone involved. Very literary, and certainly not _bad_ but it's funny to think about how this world-building is received in comparison to that of genre novels.
I didn't realize what I'd gotten myself into when I started this book, but honestly I thoroughly enjoyed it. I think the "spicy" parts, which I don't tend to read books for, flowed perfectly well from the non-spicy parts (unlike Iron Flame), and I found the plot engaging, the world interesting, the romance (again, not really my primary motivator to read a book) compelling-enough. The writing is fine, not excellent – a few phrases stick out and start to get annoying, but it's ok. I'll pick up the second at some point.
The first characters we're introduced to seem like the most obvious and ham-fisted "enemies to lovers" I've ever seen and I wondered what I was in for, but as the book goes on it gets stranger, less predictable, and frankly the writing gets better (and also stranger, at times). I would not have guessed, starting out, that I'd like this book any more than so much "is it YA, or isn't it?" fantasy I've read over the years. But by the end, I really liked it. Will pick up the sequel soon.
I think this reinforced a lot of my existing feelings about Facebook and Zuck and despite my disdain for hand-wringing about "echo chambers" I do have alarm bells going off off when I notice that type of thing is happening: am I receptive to this info because it's compelling and legitimate or because I want it to be true? I did not go in with any real preconception of Sandberg and her portrayal here was pretty shocking. Started out as a kind of "well I guess it makes sense that a powerful person behaves this way" but it gets worse and weirder as it goes on.
I intend to seek out some more info about some of the stuff in this book, but I will say very little in here seemed on its face to be unlikely to be true given other things I know or have heard—or if not "true" then at least an honest recollection of events.
This has been getting major marketing and though the cover had me interested right away I was a bit skeptical for that reason (that and it was presented in one store very closely connected to the now-poisoned HP franchise). But boy, I really enjoyed it. It's comfortable and built on a lot of tropes, but in a really nice way. The world felt distinct, and the characters were charming. The writing is smart and not at all cynical, and it's hard to write without cynicism and not come off as saccharine. Definitely recommend.
Lots of interesting stuff in this book. Oddly though the actual title of the book seems to be … not really the main thrust. The main thrust is all the things that need to be done; how those things are paid for seems to mostly be "it's not actually that important" and I think that's fair but it makes the book title kind of funny.
The synopsis had me really interested but I think this book has maybe made me realize I'm not as big on the "space opera" subgenre as I thought I was. The book has some of the trappings of "hard" sci-fi, but is really just a fantasy book with a coat of sci-fi paint. The technology is magic; the near-lightspeed travel – although I'm sure the author had it all worked out – definitely _felt_ squishy as far as what it meant for who was where, when. My order of interest went 1. Terrence, 2. Finn, ....10. whoever was in the palace intrigue subplot.
If I'm going to be reading a book like this, I want to care more about the individuals and I'm less excited by "fate of the universe" stuff. When the stakes get too high and the settings, tools, weapons all become too distant from the "real" world, I zone out. I can't get invested. Maybe paradoxically, this book felt to me at times too distant from anything I could relate to, and also too close to present-day humankind to be believable as 30,000 years in the future.
I didn't hate it. I liked some of the concepts that were toyed with, and at times I found myself rooting for characters. But I mostly found myself counting down until I could put it down and pick up something else.
Eh. It was fine. An attempt to examine prejudice without the baggage of existing prejudices; didn't really live up to that though. Just a kind of simple “ensemble cast”-style story of characters in this new world, none of whom particularly grabbed me. Didn't really lead up to much or have a noticeable climax. Just kind of happened. Writing style unremarkable, so it's not one of those literary “nothing happens but it happens beautifully” kind of books.
I didn't hate this. I really loved the way Collins ended the trilogy; it was so interesting and real, in a universe that wasn't very. So I was curious to see how she'd do Snow. I think the biggest issue I have is the pacing. The heel turn feels sudden and late, even if there are some smart breadcrumbs left along the whole journey. I also expected the heel turn to be in response to something but I think it was sly that it was basically always in him. He was never going to be anything else because of his basic flawed belief system. A lot of “banality of evil” stuff here. So I liked it overall but yeah I think it could've been better paced and while I thing Collin's is smarter than some of her “dystopian YA” peers about the things she writes about, I don't know that this one will stick with me too long, like the epilogue of the trilogy did.
I liked it but I'm not sure I liked it enough to read a second (or third). I think maybe just the whatever it is, Victorian? setting doesn't grab me. The magic hovered between system-based or even scientific, and mystical, and I kind of wish it would just pick a lane. And Marbur and Marlowe are so easy for my head to mix up, and then you add in that Jacob Marbur is nearly the classic Dickens name Jacob Marley...
Yeah. I liked it but didn't love it. Maybe I'll come back to the series in a while when this book has settled into my brain a bit.
I really enjoyed a lot of this book. The style is fun and smart; the way it kind of meandered into the main plot was interesting rather than insufferable, and somehow the very unavoidable presence of the author's voice (which often takes me out of a book) engaged me and kept me reading. But the actual plot of the book was actually kind of weak/straightforward and strangely concluded (what even was the “sleeper cell” the book is so bluntly named after?). Interesting and enjoyable read that was ... I don't know, a little bit of a mess in the end.
There was a lot I really liked about this book but much more than any other Weeks book I've read, it spent way, way too much of its time musing on the breasts and bodies of its female characters. Weeks has definitely done some of this in other books and there's some level to which you can write this off as “we're seeing the world through the eyes of a young male character” or whatever, but it was just too much in this book. It dragged the book down a lot, to an extent that I almost DNF'ed.
Honestly the mystery wrapped up really nicely with nothing coming out of thin air and yet I didn't figure basically any of it out. A very satisfying mystery with what I think is a well-handled “trans!” twist that doesn't belittle the character, reduce her to the twist, or treat her as abnormal. But I'm an outsider there as a cis dude so maybe I'm off base.
Picked up this book at a friend's recommendation years ago but put it down because it seemed grimdark. It isn't! It's not always totally light but it's a lot more intrigue and adventure and heist kind of stuff once you get past the intro. Great fun overall. Did not know where the book was taking me until it was over, but in this case that wasn't a bad thing. It wrapped up (mostly) well.
I really enjoyed this book and then it ... ended before it was over. I know there are sequels but it felt like all the POV stories that were told, each of which I really enjoyed and I loved how they were told so differently, were leading to something at the end that the book just doesn't provide. That's disappointing. I'll probably read at least one of the sequels in a while, but like ... it seems like at least the first sequel would just have to be a part of this book.
Someone would argue, and I'd agree, that this book isn't “for” me, so whether or not I appreciate it is irrelevant. But I kind of wonder who it is for. For 70% of the book it's a solidly formulaic YA novel and... then there's explicit sex. And I don't mean like, the characters have sex I mean it becomes an erotica novel, somewhat out of nowhere. Literary porn, although “literary” might give the wrong idea. It's not written poorly but it's also not written very well. Beyond the themes, the writing level of the whole novel feels very YA and the sex feels, to me, unnecessary, somewhat unexpected, and of an equal reading level except with more, you know, obscenity?
I definitely feel like I'm coming off a prude here and I don't feel like I am one, but the sex scenes feel written simply but with adults in mind and I guess that clashed, for me, with the tone and level of the rest of the book.
The main plot is formulaic but interesting enough, but there's not a lot else going on, and the weird horny stuff felt out of place and wasn't for me and I've said that about plenty of books written by men (looking at you Terry Goodkind) so I'm gonna skip the rest of this series.
