#2 | 4.4 | |
#3 | 5 | |
#4 | 4.28 | |
#5 | 0 | |
#6 | 4 | |
#7 | 4.55 | |
#8 | 4.63 | |
#9 | 0 | |
#10 | Fragmented Ties Fragmented Ties: Salvadoran Immigrant Networks in America
| 0 |
#11 | Black Ethnics Black Ethnics
| 0 |
#12 | 4.02 | |
#13 | 0 | |
#14 | 4.19 | |
#15 | 5 | |
#16 | 0 | |
#17 | 0 | |
#18 | 3.5 | |
#19 | 0 | |
#20 | 3.96 | |
#21 | 3.85 | |
#22 | Las fuerzas políticas en América Central Las fuerzas políticas en América Central
| 0 |
#23 | The Military and the State in Latin America The Military and the State in Latin America
| 0 |
#24 | 3.85 | |
#25 | Immigrant America Immigrant America: A Portrait
| 0 |
#26 | 3 | |
#27 | 0 | |
#28 | 4.5 | |
#29 | 0 | |
#30 | Still the Golden Door Still the Golden Door: The Third World Comes to America
| 0 |
#31 | 3.58 | |
#32 | Venus Venus
| 4 |
#33 | 4.34 | |
#34 | 3.57 | |
#35 | 3.83 | |
#36 | 4.12 | |
#37 | 0 | |
#38 | 0 | |
#39 | 3.85 | |
#40 | A Tempest A Tempest: Based on Shakespeare's 'The Tempest;' Adaptation for a Black Theatre
| 5 |
#41 | 4.14 | |
#42 | 0 | |
#43 | 0 | |
#44 | 4.8 | |
#45 | Once Upon a Time Once Upon a Time
| 0 |
#46 | 0 | |
#47 | 4 | |
#48 | 4.03 | |
#49 | 5 | |
#50 | 0 | |
#51 | 4 |