| #2 |  After Such Knowledge: Memory, History, and the Legacy of the Holocaust
| 0 |
| #3 |  Remnants of Auschwitz Remnants of Auschwitz: The Witness and the Archive
| 0 |
| #4 |  Modernity and the Holocaust Modernity and the Holocaust
| 5 |
| #5 |  Origins Of Totalitarianism
| 4.5 |
| #6 |  Images in Spite of All: Four Photographs from Auschwitz
| 5 |
| #7 |  The Drowned and the Saved
| 5 |
| #8 |  Concentrationary Cinema: Aesthetics as Political Resistance in Alain Resnais's Night and Fog | 0 |
| #9 |  Holocaust Representation: Art within the Limits of History and Ethics
| 0 |
| #10 |  Birmingham Irish
| 4.38 |
| #11 |  Haunted Images: Film, Ethics, Testimony, and the Holocaust
| 0 |
| #12 |  Traumatic Realism: The Demands of Holocaust Representation
| 0 |
| #13 |  Fatelessness
| 3.8 |
| #14 |  Holocaust Impiety in Literature, Popular Music and Film
| 0 |
| #15 |  Cinema and the Shoah: An Art Confronts the Tragedy of the Twentieth Century
| 0 |
| #16 |  The Holocaust as Culture
| 0 |
| #17 |  Visualizing the Holocaust: Documents, Aesthetics, Memory | 0 |
| #18 |  The Complete Maus
| 4.66 |
| #19 |  Shoah
| 0 |
| #20 | Liquidation Liquidation
| 4 |
| #21 |  Fiasco
| 0 |
| #22 |  Jewish Identity in Western Pop Culture: The Holocaust and Trauma Through Modernity
| 0 |
| #24 |  Mourning Becomes the Law Mourning Becomes the Law: Philosophy and Representation
| 0 |
| #25 |  W or the Memory of Childhood
| 4.5 |
| #26 |  The Twilight of Reason: Benjamin, Adorno, Horkheimer and Levinas Tested by the Catastrophe
| 0 |
| #27 |  The Rise and Fall of the Third Reich
| 4.3 |
| #28 |  The Coming of the Third Reich
| 4.5 |
| #29 |  After Auschwitz: History, Theology, and Contemporary Judaism
| 0 |
| #30 |  Historicism, the Holocaust, and Zionism: Critical Studies in Modern Jewish History and Thought
| 0 |
| #31 |  At the Mind's Limits: Contemplations by a Survivor on Auschwitz and its Realities
| 0 |
| #32 |  One long night
| 0 |
| #33 |  Ethics after the Holocaust
| 0 |
| #34 |  History and Memory After Auschwitz
| 0 |
| #35 |  Interrupting Auschwitz: Art, Religion, Philosophy
| 0 |
| #36 |  The Longest Shadow: In the Aftermath of the Holocaust
| 0 |
| #37 |  Film and the Holocaust: New Perspectives on Dramas, Documentaries, and Experimental Films
| 0 |
| #38 |  Philosophical Witnessing: The Holocaust as Presence
| 0 |
| #39 | Representing the Holocaust Representing the Holocaust: History, Theory, Trauma
| 0 |
| #40 |  Spielberg's Holocaust
| 0 |
| #41 |  Film and the Shoah in France and Italy
| 0 |
| #42 |  The Ground of the Image
| 0 |
| #43 |  Afterimage: Film, Trauma And The Holocaust
| 0 |
| #44 |  Indelible Shadows: Film and the Holocaust
| 0 |
| #45 |  Using and Abusing the Holocaust
| 0 |
| #46 |  Fantasies of Witnessing: Postwar Efforts to Experience the Holocaust
| 3 |
| #47 |  After Testimony: The Ethics and Aesthetics of Holocaust Narrative for the Future | 0 |
| #48 |  Judging 'Privileged' Jews Judging 'Privileged' Jews: Holocaust Ethics, Representation, and the 'Grey Zone'
| 0 |
| #50 |  Israel's Holocaust and the Politics of Nationhood
| 0 |
| #51 |  Breaking Crystal: Writing and Memory after Auschwitz | 0 |
| #52 | Eichmann and the Holocaust Eichmann and the Holocaust
| 0 |
| #53 |  Writing and Rewriting the Holocaust: Narrative and the Consequences of Interpretation
| 0 |
| #54 |  Caught by History: Holocaust Effects in Contemporary Art, Literature, and Theory
| 0 |
| #55 |  Holocaust and the Postmodern Holocaust and the Postmodern
| 0 |
| #56 |  Sortir du noir Sortir du noir
| 0 |
