#2 | | 4.15 |
#3 | | 3.28 |
#4 | | 4 |
#5 | | 3.91 |
#6 | | 3.33 |
#7 | | 3 |
#8 | | 0 |
#9 | | 3.91 |
#10 | | 3.72 |
#11 | | 3.74 |
#12 | | 3.83 |
#13 | | 3.5 |
#14 | The People Look Like Flowers at Last | 4 |
#15 | The Pleasures of the Damned | 5 |
#16 | My Year of Rest and Relaxation | 3.74 |
#17 | | 3.56 |
#18 | Homesick for Another World | 3.6 |
#19 | | 4.18 |
#20 | | 3.64 |
#21 | The Collected Short Fiction by Thomas Ligotti | 0 |
#22 | | 3.92 |
#23 | | 0 |
#24 | | 4 |
#25 | | 3.63 |
#26 | Hikikomori and the Rental Sister | 0 |
#27 | Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture | 5 |
#28 | Cinema Anime: Critical Engagements with Japanese Animation | 0 |
#29 | Japanese Horror and the Transnational Cinema of Sensations | 0 |
#30 | | 4 |
#31 | Manufacturing Consent - Edward S. Herman
- Noam Chomsky
| 4 |
#32 | | 4 |
#33 | Interpreting Our Heritage | 0 |
#34 | | 0 |
#35 | Nlp: Dark Psychology and Manipulation - Modern Psychology Publishing
| 0 |
#36 | | 4.17 |
#37 | | 4.25 |
#38 | | 3.31 |
#39 | | 3.9 |
#40 | | 3.59 |
#41 | | 3.89 |
#42 | The Perks of Being a Wallflower | 4.06 |
#43 | | 3.74 |
#44 | Adult Manga Adult Manga: Culture and Power in Contemporary Japanese Society | 0 |
#45 | Schoolgirls, Money and Rebellion in Japan | 0 |
#46 | | 0 |
#47 | | 3.99 |
#48 | | 0 |
#49 | | 3.62 |
#50 | | 3.25 |
#51 | | 3.58 |
#52 | My Work is Not Yet Done: Three Tales of Corporate Horror | 4 |
#53 | | 3 |
#54 | The Adventures of Huckleberry Finn | 3.6 |
#55 | The Adventures of Tom Sawyer | 3.67 |
#56 | | 3.36 |
#57 | The Yellow Wallpaper and Other Stories | 3.84 |
#58 | The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies | 0 |
#59 | Too Much and Never Enough | 3.53 |
#60 | White fragility : why it's so hard for white people to talk about racism | 3.93 |
#61 | | 3.99 |
#62 | | 4.48 |
#63 | Nagasaki: Life After Nuclear War | 0 |
#64 | What We Talk About When We Talk About Love | 3.99 |
#65 | | 4.33 |
#66 | | 3.78 |
#67 | | 4 |
#68 | | 4.57 |
#69 | | 3.94 |
#70 | | 4.16 |
#71 | | 3.91 |
#72 | | 3.97 |
#73 | | 4.35 |
#74 | Where the Wild Things Are | 4.12 |
#75 | | 3.69 |
#76 | The Declaration of Independence and The Constitution of the United States | 4.21 |
#77 | | 4 |
#78 | How the Grinch Stole Christmas! | 4.33 |
#79 | | 3.61 |
#81 | | 4.01 |
#82 | | 3.37 |
#83 | | 3.67 |
#84 | The Constitution of the United States of America and Selected Writings of the Founding Fathers | 3.92 |
#85 | | 4.06 |
#86 | | 3.86 |
#87 | | 3.95 |
#88 | | 4.31 |
#89 | | 3.84 |
#90 | | 4.32 |
#91 | The Jungle - Upton Sinclair
- Morris Dickstein
| 3.58 |
#92 | | 4.06 |
#93 | Do Androids Dream of Electric Sheep? | 3.96 |
#94 | Der Arbeiterstand: Bei Den Palastinensern, Griechen, Und Romern | 3.91 |
#95 | The Complete Poems of Emily Dickinson | 4.5 |
#96 | Fast Food Nation: The Dark Side of the All-American Meal | 3.83 |
#97 | | 3.99 |
#98 | | 3 |
#99 | | 4.17 |
#100 | Sick Little Monkeys: The Unauthorized Ren & Stimpy Story | 0 |
#101 | Come as You Are: The Surprising New Science that Will Transform Your Sex Life | 4.36 |
#102 | | 0 |