Underland: A Deep Time Journey by Robert Macfarlane

Hailed as "the great nature writer of this generation" (Wall Street Journal), Robert Macfarlane is the celebrated author of books about the intersections of the human and the natural realms. In Underland, he delivers his masterpiece: an epic exploration of the Earth's underworlds as they exist in myth, literature, memory, and the land itself.

In this highly anticipated sequel to The Old Ways, Macfarlane takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Traveling through "deep time" - the dizzying expanses of geologic time that stretch away from the present - he moves from the birth of the universe to a post-human future, from the prehistoric art of Norwegian sea caves to the blue depths of the Greenland ice cap, from Bronze Age funeral chambers to the catacomb labyrinth below Paris, and from the underground fungal networks through which trees communicate to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come. Woven through Macfarlane's own travels are the unforgettable stories of descents into the underland made across history by explorers, artists, cavers, divers, mourners, dreamers, and murderers, all of whom have been drawn for different reasons to seek what Cormac McCarthy calls "the awful darkness within

An interesting trip across so much terrain. The rhythm of this book challenged me. The descriptive prose made me want to know more - especially about fungi connections between trees, karst geography, and glaciers.

This is NOT a book about caves. You might think then that this is a book about something called “The Underland”. This is also not necesarily true. This book is about exactly the thing it says in the title. It is “A deep time journey”, meaning that this book is about one mans specifc personal journey with his exploration of what writer John McPhee calls “Deep Time”, and how exactly he thinks this relates to the anthrocene of earth. The book is seperated into three parts, with a shorter piece before each one, and a final piece after the third section. Almost every single bit of writing in Underland is both equal parts incredibly eloquently written, and explained in a way that makes the subject matters interesting. If you bought this book (please buy it, its worth having a physical copy to mark all your favorite quotes (there will be a lot)) expecting McFarlane to just wax poetic about caves or something, youre in for so so so much more, and its beyond worth it to give it a chance.

I find caves (and nature in general) incredibly boring. That thing you just read that I typed was true on June 17th, 2023. Now it is July 21st, 2023, and that statement is a massive lie. Here is a very real and genuine list of some of the things this book is about, in simple and reductive terms, because a part of the magic of reading this lies in figuring out how McFarlane connects everything to society and what it all means in his world view.
Burial of loved ones and how humans have done it through history
Urban exploration and the exploitation of unavoidable ruin
Our place in the universe and carrying on through uncertainty
How forest communicate within themselves and how humans sort of do this too
The indomitable human spirit and also carrying on throug uncertainty
How war bakes history into the living world and how landscapes are within themselves terrifying storybooks
the intoxicating call of ice maulins and the genuine wonder in seeing things happen in nature
and even how a team of semiotics experts werent even able to figure out how to stop humanity from destroying itself with radioactive waste on purpose

As I read this book over the span of a month I had tons of ideas of things I wanted to talk about, but I decided that this review probably wont help anyone decide whether or not they want to buy this, so instead im gonna wrap this up by talking about how “The Understory” chapter in the first section of this book is one of the most interesting and education things Ive ever read. McFarlane is an extremley talented writer, but a lot of my favorite lines from this entire book are actually quotes he borrows from another writer. These quotes always match the tone and style of writing of Underland pretty perfectly, so they never feel out of place when used, but there are a few specific quotes from The Understory that I absolutley adore. Do yourself a favor and check it out

Clearly this one belongs to the Macfarlane's Landscape and the Human Heart series as well. I really love his writing: lyrical but never soppy, mystical but scientific, hardy but always enchanting. It's about nature, about adventures, and always about humanity and humanity's fascination with the places at the edges. Here he goes cave spelunking, visits underground dark-matter observatories, explores the under city of Paris (so good!), dives into glacier abysses and explores hidden mushroom networks with [a:Merlin Sheldrake 19472946 Merlin Sheldrake https://images.gr-assets.com/authors/1604091484p2/19472946.jpg]. to shelter what is precious, to yield what is valuable, and to dispose of what is harmfulMy only complaint would be, that after spending such exciting and claustrophobic hours under ground in the Mendips, Paris and Slovenia's highland, there was potentially too much above-ground action in the last third of the book. First with [b:Mountains of the Mind 839157 Mountains of the Mind A History of a Fascination Robert Macfarlane https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1332295436l/839157.SY75.jpg 824717] and now Underland, I am officially a Robert Macfarlane fan.