Flowery, sometimes even poetic prose, which makes the book enjoyable enough to read, but doesn't hide the fact that the narrative is little more than an elongated string of anecdotes on burglars and burglaries.
The crux of the book is that “burglars use architecture differently”. The rest is filler.

Superb until the end, which left me a bit unsatisfied, though I can't but think that was exactly Coetzee's intention.

Entertaining short, but too short. Then, with the conclusion of the rebellion being immediately followed by its condemnation, that story arc was just too simple.

Fascinating. But so, so long.

The book tries to let its central character be too profound in his realizations, often with limited success. That, combined with a tedious style of writing, makes the central story, the absurdist life in a Bolivian jail, the book's only saving grace.

Either the author or Nietzsche himself are horribly pretentious. Did not finish.

Interesting enough, as a memoir of an Iranian woman from a well connected family.

Strangely, there's a blatant error in here telling: she claims to marry for the second time in September 1979, but then, later, relates a story where she tells him she wants a divorce, set in early 1979.

Dating from the late 90s, a somewhat dared book on debating techniques and, specifically, how to defuse them when encountering them. Reasonably useful, though a crucial problem is that, sometimes, what might seem like a trick is genuine.