#2 | 0 | |
#3 | 3.73 | |
#4 | 0 | |
#5 | 3.53 | |
#6 | Jay-Z Jay-Z: Made in America
| 4.33 |
#7 | 4 | |
#8 | 4 | |
#9 | 2.2 | |
#10 | 3.74 | |
#11 | 3.74 | |
#12 | 3.92 | |
#13 | 4.03 | |
#14 | 4.13 | |
#15 | 4 | |
#16 | 3.5 | |
#17 | 4.35 | |
#18 | 3.97 | |
#19 | 4.57 | |
#20 | 4.13 | |
#21 | 0 | |
#22 | 3.33 | |
#23 | 3 | |
#24 | And Then They Stopped Talking to Me And Then They Stopped Talking to Me
| 0 |
#25 | 4.67 | |
#26 | The Sprawl The Sprawl
| 0 |
#27 | 3.87 | |
#28 | 2.33 | |
#29 | 3.44 | |
#30 | 3.87 | |
#31 | 4.38 | |
#32 | Very Important People Very Important People: Status and Beauty in the Global Party Circuit
| 3 |
#33 | Work Mate Marry Love Work Mate Marry Love: How Machines Shape Our Human Destiny
| 0 |
#34 | 0 | |
#35 | 5 | |
#36 | Out of My Skull Out of My Skull: The Psychology of Boredom
| 4 |
#37 | 0 | |
#38 | 4 | |
#39 | Celine Dion's Let's Talk About Love Celine Dion's Let's Talk About Love: A Journey to the End of Taste
| 0 |
#40 | 0 | |
#41 | Jackpot Jackpot: How the Super-Rich Really Live—and How Their Wealth Harms Us All
| 4 |
#42 | 0 | |
#43 | 5 | |
#44 | Making Art in the Twenty-First Century Making Art in the Twenty-First Century: How Writers, Musicians, and Others are Earning a Living—or Trying to—in the Digital Age
| 0 |
#45 | 4.45 | |
#46 | 0 | |
#47 | 3.9 | |
#48 | Usual Cruelty Usual Cruelty
| 5 |
#49 | 0 | |
#50 | 3.99 | |
#51 | 3.13 | |
#52 | 4.39 | |
#53 | 0 | |
#54 | 4.5 | |
#55 | 0 | |
#56 | 0 | |
#57 | 4 | |
#58 | 0 | |
#59 | 5 | |
#60 | 3.5 | |
#61 | 4.5 | |
#62 | 0 | |
#63 | 0 | |
#64 | 4 | |
#65 | 3.96 | |
#66 | 3 | |
#67 | 0 | |
#68 | An Exciting and Vivid Inner Life An Exciting and Vivid Inner Life
| 0 |
#69 | 0 | |
#70 | 3.5 | |
#71 | 3.9 | |
#72 | 5 | |
#73 | 4 | |
#74 | 3 | |
#75 | Unlikeable Female Characters Unlikeable Female Characters: The Women Pop Culture Wants You to Hate
| 4 |
#76 | 2 | |
#77 | 3 | |
#78 | 5 | |
#79 | 0 | |
#80 | 0 | |
#81 | 3.75 | |
#82 | 3.13 | |
#83 | 3.5 | |
#84 | 0 | |
#85 | 5 |