P is for Peril
Ratings6
Average rating3.3
15
Ratings6
Average rating3.3
She's every lover's feisty girlfriend. She's every father's courageous daughter. She's every woman's tough, vulnerable, and spirited alter ego. She's Kinsey Millhone, familiar to millions of readers around the globe, and she's back in full stride in P is for Peril, her latest venture into the darker side of the human soul. Mordant, mocking, and deceptively low-key, hers is a voice we know we can trust, from a character we've come to love. Through fifteen novels, Sue Grafton has gone from strength to strength, never writing the same book twice. So it's no surprise that she has taken on new territory in her sixteenth, this time entering the world of noir. It's a world cast in shades of black amid shafts of steel and silver, a shadow land in which the mysterious disappearance of a prominent physician leads Kinsey into a danger-filled maze of duplicity and double-dealing as she taps into the intricacies of a cunning Medicare fraud. P is for Peril: the novel in which Millhone stakes her life on a thin thread of intuition because the facts glint elusively out of reach and only guesses offer any shot at the truth. "Unlike many detective series, Grafton's seems only to get better each time out," wrote Entertainment Weekly, and P is for Peril is a case in point. Pushing herself, reaching further with each new book, Sue Grafton delivers every time.
Series
25 primary booksKinsey Millhone is a 25-book series with 25 primary works first released in 1986 with contributions by Sue Grafton.
Reviews with the most likes.
Well, this is totally not surprising at all...a solid mystery novel, with plenty of satisfying twists and turns from Sue Grafton.
A name from the past (and one of my favorite Grafton books) refers Kinsey for another missing persons case – against her better judgement, she takes it and before too long finds herself in the middle of broken family politics, pouty teenagers, a potential stalker, and cases of grand theft, fraud, murder, and a handful of other brushes with human frailty and depravity.
I did rather enjoy all these voices from the 80s complaining about the labyrinth that is Medicare/Medicaid/other federal health regulations – if they only knew!
I do wish, and I don't think I've complained about this before, but Kinsey blabs way too much – to friends (especially new ones), to suspects/interviewees/sources, and even to clients. Maybe it fits with the research that Grafton's done about proper P.I.-ing, but man. Every time she starts to divulge information I want to reach into the book and slap my hand over her mouth. Seriously, lady, keep it to yourself.
The conclusion to this one is atypical – we don't get resolution to any of they mysteries she's involved with; well, we sort of get resolution to one of them, but it has nothing to do with any sleuthing on Kinsey's part. The rest of the mysteries are solved by Kinsey, but we don't see the resolution of the story line – we don't even get the (often) heavy-handed wrap up where she reflects on the events of the novel. Nope. Not saying that's good or bad (honestly, I'm not sure). It's just not par for the course. Not sure why Grafton did it that way, but it worked this time (could get to be tiring if she keeps it up)
