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Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom in various odd little towns, as well as in dark sectors frequented by sinister and often blackly comical eccentrics. The cycle of narratives introduce readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives.
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Teatro Grottesco is the latest collection of Thomas Ligotti short stories and represents the mature phase of his fiction. In this mature phase, Ligotti's style has shed much of the baroqueness of his earlier style, which made him seem an obvious heir to Poe and Lovecraft. However, Ligotti's sparser style, which often emphasizes the banality of places and people, is probably even more potent in capturing the sense of existence as nightmare, which is one of the main cruxes of the Ligottian tale. If, as appears quite possible, Ligotti does not return to writing fiction, this collection will serve as a brilliant summing up of his thematic and narrative interests.