#2 | 3.83 | |
#3 | 3.5 | |
#4 | 4.1 | |
#5 | 3.05 | |
#6 | 4.06 | |
#7 | Death on the Down Beat Death on the Down Beat: An Orchestral Fantasy of Detection
| 0 |
#8 | 0 | |
#9 | 4 | |
#10 | 0 | |
#11 | 0 | |
#12 | 3.33 | |
#13 | 4.31 | |
#14 | 4.08 | |
#15 | 3 | |
#16 | 5 | |
#17 | His Mistress by Christmas His Mistress by Christmas
| 0 |
#18 | 0 | |
#19 | 3.33 | |
#20 | 4.38 | |
#21 | The Part About the Dragon is (Mostly) True The Part About the Dragon is (Mostly) True
| 3.5 |
#22 | 2.5 | |
#23 | 0 | |
#24 | The Readers' Room The Readers' Room
| 3 |
#25 | 3.43 | |
#26 | 3.67 | |
#27 | 4.3 | |
#28 | 4.13 | |
#29 | 4.33 | |
#30 | Sex In the Cinema Sex In the Cinema: The ‘Pre-Code’ Years
| 0 |
#31 | 3.73 | |
#32 | 0 | |
#33 | 3.97 | |
#34 | 3.52 | |
#35 | 3.59 | |
#36 | 3.74 | |
#37 | 0 | |
#38 | 0 | |
#39 | 4 | |
#40 | A Crimson Warning A Crimson Warning
| 3.5 |
#41 | 0 | |
#42 | 3.7 | |
#43 | 0 | |
#44 | 3.39 | |
#45 | A Very Dangerous Woman A Very Dangerous Woman: The Lives, Loves and Lies of Russia's Most Seductive Spy
| 0 |
#46 | 0 | |
#47 | 0 | |
#48 | 0 | |
#49 | 0 | |
#50 | 0 | |
#51 | 3.88 | |
#52 | 3.2 | |
#53 | 4.06 | |
#54 | 4 | |
#55 | 3.47 | |
#56 | 3.59 | |
#57 | 3.68 | |
#58 | 3.58 | |
#59 | 4 | |
#60 | 4.2 | |
#61 | 3.62 | |
#62 | 3.67 | |
#63 | 5 | |
#64 | Holiday Romance Holiday Romance
| 3.82 |
#65 | 4.63 | |
#66 | 3 | |
#67 | Courting the Underworld Courting the Underworld: A cosy retelling of Hades and Persephone featuring female empowerment, puppies and gorgeous illustrations.
| 0 |
#68 | 3 | |
#69 | 2.5 | |
#70 | 4.54 | |
#71 | 3.33 | |
#72 | 4.23 | |
#73 | 0 | |
#74 | 3.44 | |
#75 | Mad Women Mad Women: The Other Side of Life on Madison Avenue in the '60s and Beyond
| 0 |
#76 | Acting Up Acting Up
| 0 |
#77 | Slippery Creatures Slippery Creatures
| 4.05 |
#78 | 4.08 | |
#79 | 3.66 | |
#80 | 4.14 | |
#81 | 3.89 | |
#82 | 3.8 |