#2 | | 3.91 |
#3 | | 4.18 |
#4 | | 4.11 |
#5 | | 3.81 |
#6 | On Writing: A Memoir of the Craft | 4.34 |
#7 | | 3.82 |
#8 | | 4.11 |
#9 | | 3.41 |
#10 | | 3.99 |
#11 | | 4.19 |
#12 | | 4.33 |
#13 | The Devil in the White City | 4.01 |
#14 | Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity | 3.95 |
#15 | The Spy Who Came in from the Cold | 4.04 |
#16 | A Visit from the Goon Squad | 3.81 |
#17 | | 3.78 |
#18 | | 4.25 |
#19 | How Google Works - Eric Schmidt
- Jonathan Rosenberg
| 3.95 |
#20 | | 4.17 |
#21 | Stiff: The Curious Lives of Human Cadavers | 3.89 |
#22 | Bad Blood: Secrets and Lies in a Silicon Valley Startup | 4.42 |
#23 | Baby, You're Gonna Be Mine | 3.5 |
#24 | | 4.27 |
#25 | | 3.86 |
#26 | | 4.29 |
#27 | Catch and Kill: Lies, Spies, and a Conspiracy to Protect Predators | 4.46 |
#28 | Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration | 4.33 |
#29 | | 4.08 |
#30 | | 4.24 |
#31 | | 3.78 |
#32 | Antifragile: Things That Gain from Disorder | 3.87 |
#33 | Talking to Strangers: What We Should Know About the People We Don’t Know | 3.75 |
#34 | | 3.81 |
#35 | | 4.18 |
#36 | The Ballad of Songbirds and Snakes | 3.69 |
#37 | | 4.06 |
#38 | | 4.01 |
#39 | | 4.13 |
#40 | | 3.72 |
#41 | | 3.81 |
#42 | Invisible Women: Data Bias in a World Designed for Men | 4.3 |
#43 | | 3.08 |
#44 | | 3.63 |
#45 | The Hitchhiker's Guide to the Galaxy | 4.25 |
#46 | From a Certain Point of View: The Empire Strikes Back | 3.56 |
#47 | | 3.9 |
#48 | | 3.57 |
#49 | | 3.79 |
#50 | | 3.73 |
#51 | | 4.03 |
#52 | Murder on the Orient Express | 4.04 |
#53 | | 4.53 |
#54 | | 3.94 |
#55 | This Is How You Lose the Time War - Amal El-Mohtar
- Max Gladstone
| 3.89 |
#56 | | 4.09 |
#57 | | 4.12 |
#58 | First Person Singular: Stories - Haruki Murakami
- Philip Gabriel (Translator)
| 3.42 |
#59 | The Body: A Guide for Occupants | 4.16 |
#60 | | 3.83 |
#61 | Killers of the Flower Moon: The Osage Murders and the Birth of the FBI | 4.15 |
#62 | | 4.13 |
#63 | The Three-Body Problem - Cixin Liu
- Ken Liu (Translator)
| 3.94 |
#64 | | 3.88 |
#65 | | 3.8 |
#66 | Stories of Your Life and Others | 4.29 |
#67 | | 4.26 |
#68 | Mythos: The Greek Myths Retold | 4.23 |
#69 | The Wind-Up Bird Chronicle | 4.1 |
#70 | How To: Absurd Scientific Advice for Common Real-World Problems | 4 |
#71 | | 4.21 |
#72 | How High We Go in the Dark | 3.82 |
#73 | | 3 |
#74 | | 4.01 |
#75 | | 3.88 |
#76 | | 4.21 |
#77 | | 4.45 |
#78 | | 4.26 |
#79 | | 4.04 |
#80 | Tomorrow, and Tomorrow, and Tomorrow | 4.13 |
#81 | | 3.68 |
#1 | The Dark Forest - Cixin Liu
- Joel Martinsen (Translator)
| 4.25 |
#1 | Death's End - Cixin Liu
- Ken Liu (Translator)
| 4.36 |
#1 | | 4.03 |
#1 | | 4.01 |
#1 | | 2.83 |
#1 | Shakespeare: The World as Stage - Bill Bryson
- Auke Leistra (translator)
| 3.5 |
#1 | Now Is Not the Time to Panic | 3.72 |
#1 | | 4.48 |
#1 | | 4 |
#1 | The House in the Cerulean Sea | 4.29 |
#1 | Harry James Potter-Evans-Verres and the Shadows of Death | 3.5 |
#1 | | 3.77 |
#1 | | 4.6 |
#1 | | 4.12 |
#1 | | 3.99 |
#1 | Comedy Comedy Comedy Drama | 3.53 |
#1 | Remarkably Bright Creatures | 4.18 |
#1 | We - Yevgeny Zamyatin
- Bela Shayevich (translator)
| 3.71 |