#2 | 3.78 | |
#3 | 4.08 | |
#4 | 3.96 | |
#5 | 4.1 | |
#6 | 4.16 | |
#7 | 4.27 | |
#8 | 3.2 | |
#9 | Days Like Today Days Like Today
| 4 |
#10 | 4 | |
#11 | 3.9 | |
#12 | 3.63 | |
#13 | 3.5 | |
#14 | 4.02 | |
#15 | 3.92 | |
#16 | 4.08 | |
#17 | 3.96 | |
#18 | 3.67 | |
#19 | 3 | |
#20 | 3.64 | |
#21 | 3 | |
#22 | 5 | |
#23 | 3.33 | |
#24 | Juniper Time Juniper Time
| 3 |
#25 | 4.24 | |
#26 | 3.4 | |
#27 | 3.75 | |
#28 | 3.86 | |
#29 | The House of Dolls The House of Dolls
| 4 |
#30 | 4.16 | |
#31 | 3.97 | |
#32 | 3.5 | |
#33 | Feeling Very Strange Feeling Very Strange: The Slipstream Anthology | 3 |
#34 | 3 | |
#35 | 4.36 | |
#36 | 3 | |
#37 | 3.5 | |
#38 | Wildlife of Ecuador Wildlife of Ecuador: A Photographic Field Guide to Birds, Mammals, Reptiles, and Amphibians
| 4 |
#39 | 3 | |
#40 | 3 | |
#41 | 3.94 | |
#42 | 4.23 | |
#43 | 4 | |
#44 | 4.29 | |
#45 | 4.35 | |
#46 | 3.92 | |
#47 | Textermination Textermination
| 4 |
#48 | 4.5 | |
#49 | 3.67 | |
#50 | 3.67 | |
#51 | 4.02 | |
#52 | 3.96 | |
#53 | 4.26 | |
#54 | Till We Have Faces Till We Have Faces: A Myth Retold
| 4.5 |
#55 | 3.74 | |
#56 | 3.86 | |
#57 | 2 | |
#58 | 4 | |
#59 | 3.63 | |
#60 | 4 | |
#61 | 3.26 | |
#62 | 3.75 | |
#64 | 3.8 | |
#65 | 3 | |
#66 | 4.28 | |
#67 | 3.5 | |
#68 | 3.9 | |
#69 | 3.33 | |
#70 | 3.4 | |
#71 | 2 | |
#72 | 3.5 | |
#73 | 3.72 | |
#74 | 3.73 | |
#75 | 3.99 | |
#76 | 3.99 | |
#77 | 3.75 | |
#78 | 4.07 | |
#79 | 3.5 | |
#80 | 3.76 | |
#81 | 4.43 | |
#82 | 3.97 | |
#83 | 3.5 | |
#84 | 3 | |
#85 | 3.5 | |
#86 | 4.5 | |
#87 | 3.5 | |
#88 | 3 | |
#89 | 3.33 | |
#90 | 3 | |
#91 | 3 | |
#92 | 3.15 | |
#93 | 3.58 | |
#94 | 3.17 | |
#95 | The Girl Green as Elderflower The Girl Green as Elderflower
| 4 |
#96 | 4.11 | |
#97 | 3.44 | |
#98 | 2.67 | |
#99 | 3 | |
#100 | 4.11 | |
#101 | 4 | |
#102 | 4 |